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  No. 05 / 2007 (November):

    Books
  • Stephen B.Armstrong: Pictures About Extremes: The Films of John Frankenheimer. McFarland
  • Jonathan Auerbach: Body Shots: Early Cinema´s Incarnations. University of California Press
  • Caroline Bainbridge: The Cinema of Lars von Trier: Authenticity and Artifice. Wallflower Press
  • Shyon Baumann: Hollywood Highbrow: From Entertainment to Art. Princeton University Press
  • Frank Becher: Kurzfilmproduktion. UVK Verlagsgesellschaft mbH
  • Daniel Bernardi (Ed.): The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Routledge
  • Martine Beugnet: Cinema and Sensation: French Film and the Art of Transgression. Edinburgh University Press
  • Katharina Bildhauer: Drehbuch reloaded: Erzählen im Kino des 21. Jahrhunderts. UVK Verlagsges.mbH
  • Robert Bird: Andrei Tarkovsky: Elements of Cinema. Reaktion Books
  • Robin Blaetz (Ed.): Women's Experimental Cinema: Critical Frameworks. Duke University Press
  • Mark Browning: David Cronenberg: Author or Film-maker? Intellect
  • Paul C.Burns: Jesus in Twentieth Century Literature, Art, and Movies. Continuum
  • David Campany: Photography and Cinema. Reaktion Books
  • Drew Casper: Postwar Hollywood: 1946-1962. Blackwell Publishing
  • James Chapman: War and Film. Reaktion Books
  • Ian Conrich / Stuart Murray (Eds.): New Zealand Filmmakers. Wayne State UP
  • Bernie Cook (Ed.): Thelma & Louise Live! The Cultural Afterlife of an American Film. University of Texas Press
  • Robert Eberwein: Armed Forces: Masculinity and Sexuality in the American War Film. Rutgers University Press
  • Jens Eder: Die Figur im Film: Grundlagen der Figurenanalyse. Schüren Verlag
  • Kate Egan: Trash or treasure? Censorship and the changing meanings of the video nasties. Manchester University Press
  • Wendy Everett (Ed.): Questions of Colour in Cinema: From Paintbrush to Pixel. Peter Lang Verlagsgruppe
  • Frances Gateward (Ed.): Seoul Searching: Culture and Identity in Contemporary Korean Cinema. SUNY Press
  • Christine Geraghty: Now a Major Motion Picture: Film Adaptations of Literature and Drama. Rowman & Littlefield
  • Lincoln Geraghty (Ed.): The Influence of Star Trek on Television, Film and Culture. McFarland
  • Jaap van Ginneken: Screening Difference: How Hollywood's Blockbuster Films Imagine Race, Ethnicity, and Culture. Rowman & Littlefield
  • Andrew M.Gordon: Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg. Rowman & Littlefield
  • E.Grünkemeier / M.Iske / J.Kramer / A.Pankratz / C.-U.Viol (Hg.): Das kleine Bond Buch. Schüren Verlag
  • Frances Guerin / Roger Hallas (Eds.): The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press
  • Marek Haltof: Historical Dictionary of Polish Cinema. Scarecrow Press
  • Ralf Harhausen: Alltagsfilm in der DDR: Die `Nouvelle Vague´ der DEFA. Tectum Verlag
  • Ina Rae Hark (Ed.): American Cinema of the 1930s: Themes and Variations. Rutgers UP
  • Foster Hirsch: Otto Preminger: The Man Who Would Be King. Random House
  • Richard Jewell: The Golden Age of Cinema: Hollywood, 1929-1945. Blackwell Publishing
  • Kathryn Kalinak: How the West Was Sung: Music in the Westerns of John Ford. University of California Press
  • Anette Kaufmann: Der Liebesfilm: Spielregeln eines Filmgenres. UVK Verlagsges.mbH
  • Richard C.Keenan: The Films of Robert Wise. Scarecrow Press
  • Rayd Khouloki: Der filmische Raum: Konstruktion, Wahrnehmung, Bedeutung. Bertz + Fischer
  • Peter Larsen: Film Music. Reaktion Books
  • Eric Lax: Conversations with Woody Allen: His Films, the Movies, and Moviemaking. Random House
  • Jon Lewis / Eric Smoodin (Eds.): Looking Past the Screen: Case Studies in American Film History and Method. Duke UP
  • Simon Louvish: Cecil B.DeMille and the Golden Calf. Faber & Faber
  • Charles Martig: Kino der Irritation: Lars von Triers theologische und ästhetische Herausforderung. Schüren Verlag
  • Roman Mauer (Hg.): Clint Eastwood. edition text+kritik (Film-Konzepte 8)
  • Myra Mendible (Ed.): From Bananas to Buttocks: The Latina Body in Popular Film and Culture. University of Texas Press
  • L.Mikos / S.Eichner / E.Prommer / M.Wedel: Die Herr der Ringe-Trilogie: Attraktion und Faszination eines populärkulturellen Phänomens. UVK Verlagsges.mbH
  • Jolyon Mitchell / S.Brent Plate (Eds.): The Religion and Film Reader. Routledge
  • Astrid Ofner (Hg.): Der Weg der Termiten: Beispiele eines essayistischen Kinos 1909-2004. Schüren Verlag
  • Carol Ota: The Relay of Gazes: Representations of Culture in the Japanese Televisual and Cinematic Experience. Rowman & Littlefield
  • Louis Paul: Tales from the Cult Film Trenches: Interviews with 36 Actors from Horror, Science Fiction and Exploitation Cinema. McFarland
  • Brad Prager: The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth. Wallflower Press
  • Walter Rankin: Grimm Pictures: Fairy Tale Archetypes in Eight Horror and Suspense Films. McFarland
  • Duncan Reekie: Subversion: The Definitive History of Underground Cinema. Wallflower Press
  • Steven Rybin: The Cinema of Michael Mann. Rowman & Littlefield
  • Constantine Santas: The Epic in Film: From Myth to Blockbuster. Rowman & Littlefield
  • Jeffrey Sconce (Ed.): Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics. Duke UP (s. Exploitation Film)
  • Kerry Segrave: Actors Organize: A History of Union Formation Efforts in America, 1880–1919. McFarland
  • Robert Shail: British Film Directors. A Critical Guide. Edinburgh UP
  • Lisa Shaw / Stephanie Dennison: Brazilian National Cinema. Routledge
  • Tony Shaw: Hollywood's Cold War. Edinburgh UP
  • Irving Singer: Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. MIT Press
  • Robert Spadoni: Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre. University of California Press
  • Lisa Trahair: The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick. SUNY Press
  • James M.Welsh / Peter Lev (Eds.): The Literature/Film Reader: Issues of Adaptation. Scarecrow Press
  • Mary Wood: Contemporary European Cinema. Oxford University Press
  • Markus Yagapen: Filmgeschäftsführung. UVK Verlagsgesellschaft mbH
  • Candida Yates: Masculine Jealousy and Contemporary Cinema. Palgrave
  • Bryan L.Yeatter: Cinema of the Philippines: A History and Filmography, 1897–2005. McFarland
last issues:  04-0703-0702-0701-0708-0607-0606-0605-06

©  2000 – 2008  by   Daniel Kälberer  —  Last Update:  12.1.2008