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- Robert C.Allen: "From Exhibition to Reception. Reflections
on the Audience in Film History." In: Screen 31:4 (1990),
pp.347-356 - (essays/books
by R.C.Allen)
- Janet Staiger: Interpreting Films. Studies in the Historical
Reception of American Cinema. Princeton 1992 - (essays/books
by J.Staiger)
- Roland Cosandey / François Albéra (Eds.): Cinéma
sans frontières 1896-1918 / Images across Borders, 1896-1918:
Internationality in World Cinema - Representations, Markets, Influences
and Reception. Lausanne, Quebec 1995
- Lothar Mikos: Filmgeschichte als Rezeptions- und Wirkungsgeschichte.
Potsdam-Babelsberg 1995
- William Uricchio / Roberta E.Pearson: "Dante´s Inferno
and Caesar´s Ghost: Intertextuality and Conditions Reception
in Early American Cinema." In: R.Abel (Ed.): Silent Film,
London 1996, pp.217-233
- Gregg Bachman: "Still in the dark – silent film audiences."
In: Film History 9:1 (1997), pp.23-48
- Barbara Klinger: "Film history terminable and interminable:
recovering the past in reception studies." In: Screen 38:2 (1997)
- Nicholas Hiley: "»At the Picture Palace«. The
British Cinema Audience, 1895-1920." In: J.Fullerton (Ed.):
Celebrating 1895, London 1998, pp.96-106
- Helmut Korte: Der Spielfilm und das Ende der Weimarer Republik.
Ein rezeptionshistorischer Versuch. Göttingen 1998
- Samantha Barbas: "The political spectator: Censorship,
protest and the moviegoing experience, 1912-1922." In: Film
History 11:2 (1999), pp.217-229
- Robert Sklar: "`The Lost Audience´: 1950s spectatorship
and historical reception studies." In: M.Stokes / R.Maltby
(Eds.): Identifying Hollywood´s Audiences, London: bfi,
1999, pp.81-92
- Melvyn Stokes / Richard Maltby (Eds.): American Movie Audiences.
From the Turn of the Century to the Early Sound Era. London 1999
- (essays/books by R.Maltby)
- Henry Jenkins: "Reception theory and audience research.
The mystery of the vampire´s kiss." In: C.Gledhill
/ L.Williams (Eds.): Reinventing Film Studies, London 2000, pp.165-182
- John Sedgwick: Popular Filmgoing in 1930s Britain. A Choice
of Pleasures. Exeter: UP, 2000
- François Jost: "Die Programmierung des Zuschauers."
In: KINtop Nr.11, Frankfurt/M & Basel 2002, pp.35-47
- Annette Kuhn: An Everyday Magic. Cinema and Cultural Memory.
London & New York 2002 - (essays/books
by A.Kuhn)
- Richard Abel: Americanizing the Movies and `Movie-Mad´
Audiences, 1910-1914. Berkeley: U.of California Pr, 2006 - (essays/books
by R.Abel)
- Mark Glancy: "Temporary American Citizens? British Audiences,
Hollywood Films and the Threat of Americanization in the 1920s."
In: Historical Journal of Film, Radio and Television 26:4 (2006),
pp.461-484
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