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- Ellen Draper: "»Controversy has probably destroyed
forever the context«: The Miracle and Movie Censorship
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1927). A case study of Irish-American and Catholic Church censorship."
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- Ramona Curry: "Mae West As a Censored Commodity. The case of
Klondike Annie." In: Cinema Journal 31:1 (1991), pp.57-84
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Jew Süss (1934) in London, New York and Vienna."
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- Shelley Stamp Lindsey: "»Oil upon the flames of vice«:
The battle over white slave films in New York city." In:
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- Lee Grieveson: Fighting Films: Race, Morality, and the Governing
of Cinema, 1912-1915." In: Cinema Journal 38:1 (1998), pp.40-72
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Sweden, 1911–1921." In: J.Fullerton and J.Olsson (Eds.):
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- Kathrine Skretting: "Filmsex und Filmzensur. Die “Bettkanten”-Filme
in Skandinavien 1970-1976." In: montage/av 9/1 (2000), pp.47-62
- Martin Barker, Jane Arthurs and Ramaswami Harindranath: The
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and Film Reception. London 2001
- Nicholas Harrison: "Readers as résistants. Fahrenheit
451, censorship, and identification." In: Studies in
French Cinema 1:1 (2001)
- R.Bruce Brasell: "»A dangerous experiment to try«:
film censorship during the twentieth century in Mobile, Alabama."
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