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the Motion Picture Production Code." In: Journal of American History
77:1 (1990)
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Contending with Censorship and Entertainment." In: Screen 31 (1990)
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Film, 1928-1942. Madison 1991 - (essays/books
by L.Jacobs)
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Geoffrey Shurlock, The Bad Seed, and Tea and Sympathy."
In: Journal of Popular Film & TV 22:1 (1994), pp.2-11
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Production Code, ed.by L.Jacobs / R.Maltby - (essays/books
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- Clayton R.Koppes: "Regulating the Screen: The Office of
War Information and the Production Code Administration."
In: Thomas Schatz: Boom and Bust. American Cinema in the 1940s.
New York 1997, pp.262-281
- Jerold Simmons: "A Damned Nuisance: The Production Code
and the Profanity Amendment of 1954." In: Journal of Popular
Film & TV 25:2 (1997), pp.76-82
- Anthony Slide: `Banned in the USA´. British Films in the
United States and their Censorship, 1933-1960. London 1998
- John Springhall: "Censoring Hollywood. Youth, Moral Panic and
Crime/Gangster Movies of the 1930s." In: Journal of Popular Culture
32:3 (Winter 1998)
- David M.Lugowski: "Queering the (New) Deal: Lesbian and
Gay Representation and the Depression-Era Cultural Politics of
Hollywood´s Production Code." In: Cinema Journal 38:2
(1999), pp.3-35
- Vincent Brook: "Courting Controversy: The Making and Selling
of Baby Doll and the Demise of the Production Code."
In: Quarterly Review of Film and Video 18:4 (2001), pp.347-359
- Leonard Leff / Jerold Simmons: The Dame in the Kimono. Hollywood,
Censorship, and the Production Code from the 1920s to the 1960s.
Lexington 20012
- Stephen Prince: Classical film violence. Designing and regulating
brutality in Hollywood cinema, 1930-1968. New Brunswick 2003
- Susan Courtney: Hollywood Fantasies of Miscegenation. Spectacular
Narratives of Gender and Race. Princeton 2004
- Jerold Simmons: "Challenging the Production Code: The
Man with the Golden Arm." In: Journal of Popular Film
& TV 33:1 (2005), pp.39-48
- Stephen Weinberger: "Joe Breen´s Oscar." In:
Film History 17:4 (2005), pp.380-391
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System." In: M.W.: Hollywood: Politics and Society, London:
bfi, 2006, pp.51-72
- Richard deCordova: "Ethnography and Exhibition: The Child
Audience, The Hays Office, and Saturday Matinees." In: Jon
Lewis / Eric Smoodin (Eds.): Looking Past the Screen. Durham:
Duke UP, 2007, pp.229-245
- Gaylyn Studlar: "Marlene Dietrich and the Erotics of Code-Bound
Hollywood." In: G.Gemünden / M.R.Desjardins (Eds.):
Dietrich Icon, Durham: Duke UP, 2007, pp.211-238
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