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- The Velvet Light Trap No.40 (1997): Transnational Media
- Anne Ciecko: "Transgender, Transgenre, and the Transnational:
Sally Potter´s Orlando." In: The Velvet Light
Trap No.41 (1998), pp.19-34
- M.Mehdi Semati / Patty J.Sotirin: "Hollywood´s Transnational
Appeal: Hegemony and Democratic Potential?" In: Journal of
Popular Film & TV 26:4 (1998-99), pp.176-188
- Nicholas F.Radel: "The Transnational Ga(y)ze: Constructing
the East European Object of Desire in Gay Film and Pornography
after the Fall of the Wall." In: Cinema Journal 41:1 (2001),
pp.40-62
- Marvin D´Lugo: "Transnational Film Authors and the
State of Latin American Cinema." In: V.W.Wexman (Ed.): Film
and Authorship. New Brunswick/NJ 2003, pp.112-130
- Katarzyna Marciniak: "Transnational Anatomies of Exile
and Abjection in Milcho Manchevski's Before the Rain
(1994)." In: Cinema Journal 43:1 (2003), pp.63-84
- Ella Shohat / Robert Stam (Eds.): Multiculturalism, Postcolonialism
and Transnational Media. New Brunswick 2003
- Leon Hunt: "The Hong Kong / Hollywood Connection: Stardom
and Spectacle in Transnational Action Cinema." In: Y.Tasker
(Ed.): Action and Adventure Cinema. London & New York 2004,
pp.269-283
- Tim Bergfelder: "National, Transnational or Supranational
Cinema? Rethinking European Film Studies.“ In: Media, Culture
and Society 27:3 (2005), pp.315-331
- Elisabetta Girelli: "Transnational Maleness: The Italian
Immigrant in Hell Drivers." In: Cinema Journal 44:4
(2005), pp.44-56
- Jeanette Herman: "Memory and Melodrama: The Transnational
Politics of Deepa Mehta´s Earth." In: Camera
Obscura No.58 (2005), pp.107-147
- Andrew Nestingen / Trevor Glen Elkington (Eds.): Transnational
Cinema in a Global North. Nordic Cinema in Transition. Detroit
2005
- Patricia Pisters / Wim Staat: Shooting the Family. Transnational
Media and Intercultural Values. Amsterdam: UP, 2005
- Elizabeth Ezra / Terry Rowden (Eds.): Transnational Cinema -
The Film Reader. London & New York: Routledge, 2006
- Catherine Grant / Annette Kuhn (Eds.): Screening World Cinema.
The Screen Reader. London & New York: Routledge, 2006 (Part
3: Melodrama as a National and Transnational Mode)
- Dale Hudson: "»Just play yourself, `Maggie Cheung´«:
Irma Vep, rethinking transnational stardom and unthinking
national cinemas." In: Screen 47:2 (2006), pp.213-232
- Randall Halle: "German film, European film: transnational
production, distribution and reception." In: Screen 47:2
(2006), pp.251-259
- L.S.Kim: "Making women warriors: a transnational reading
of Asian female action heroes in Crouching Tiger, Hidden Dragon."
In: Jump Cut No.48 (2006)
- Meaghan Morris / Siu-Leung Li / Stephen Chan Ching-kiu (Eds.):
Hong Kong Connections. Transnational Imagination in Action Cinema.
Durham: Duke UP, 2006
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