|
- James Hay: "Dancing and Deconstructing the American Dream."
In: Quarterly Review of Film Studies 10:2 (1985), pp.97-117
- E.W.Goellner / J.S.Murphy (Eds.): Bodies of the Text. Dance
as Theory, Literature as Dance. New Brunswick/NJ 1995
- Peter N.Chumo II: "Dance, Flexibility, and the Renewal
of Genre in Singin' in the Rain." In: Cinema Journal
36:1 (1996), pp.39-54
- Adrienne L.McLean: "The Thousand Ways There Are to Move:
Camp and Oriental Dance in the Hollywood Musicals of Jack Cole."
In: M.Bernstein / G.Studlar (Eds.): Visions of the East, New Brunswick/NJ
1997, pp.130-157
- Gaylyn Studlar: "»Out-Salomeing Salome«: Dance,
the New Woman, and Fan Magazine Orientalism." In: M.Bernstein
/ G.Studlar (Eds.): Visions of the East, New Brunswick/NJ 1997,
pp.90-129
- Louise Spain (Ed.): Dance on Cinema. A Guide to Dance Films
and Video. Lanham/MD: Scarecrow, 1998
- David A.Gerstner: "Dancer from the Dance: Gene Kelly, Television,
and the Beauty of Movement." In: The Velvet Light Trap No.49
(2002), pp.48-66
- Lori Landay: "The Flapper Film: Comedy, Dance, and Jazz
Age Kinaesthetics." In: J.M.Bean / D.Negra (Eds.): A Feminist
Reader in Early Cinema, Durham 2002, pp.221-248
- Judy Mitoma u.a. (Eds.): Envisioning Dance on Film and Video.
New York 2003
- Andrea Pollach / Isabella Reicher / Tanja Widmann (Hg.): Singen
und Tanzen im Film. Wien: Zsolnay, 2003
- Jodi Brooks: "Ghosting the machine: the sounds of tap and
the sounds of film." In: Screen 44:4 (2003), pp.355-378
|
|