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brothers, 1900-1908." In: Film History 6:2 (1994), pp.206-218
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origins of Polish cinematography." In: J.Fullerton (Ed.):
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- Elzbieta Ostrowska: "Early Film Theory in Poland: The Work
of Karol Irzykowski." In: J.Fullerton (Ed.): Celebrating
1895: The Centenary of Cinema, Sydney 1998, pp.37-43
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Holy Week." In: M.Hjort / S.Mackenzie (Eds.): Cinema
& Nation, London 2000, pp.189-202
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Polish heritage cinema." In: Historical Journal of Film,
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of Film and Video 55:2-3 (2003), pp.29-43
- Paul Coates: The Red and the White. The Cinema of People’s
Poland. London 2005
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History. Jefferson/NC 2005
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Film." In: T.Haggith and J.Newman (Eds.): Holocaust and the
Moving Image, London: Wallflower, 2005
- Elzbieta H.Oleksy: "The Politics of Representing Gender
in Cotemporary Polish Cinema and Visual Art." In: A.Imre
(Ed.): East European Cinemas, New York & London: Routledge,
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Oxford/NY: Berghahn, 2006
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- Ewa Mazierska: Polish Postcommunist Cinema. From Pavement Level.
Frankfurt/M et al.: Peter Lang, 2007
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© 2000 – 2008 by Daniel
Kälberer — Last Update: 11.1.2008
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