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Reference Literature to Film Music

  • John Mundy: Popular music on screen. From Hollywood musical to music video. Manchester 1999
  • James Buhler, Caryl Flynn and David Neumeyer: Music and Cinema. Hanover/NH: Wesleyan UP, 2000
  • Josef Kloppenburg (Hg.): Musik multimedial - Filmmusik, Videoclip, Fernsehen. Laaber 2000
  • Birger Langkjaer: "Der hörende Zuschauer. Über Musik, Perzeption und Gefühle in der audiovisuellen Fiktion." In: montage/av 9/1 (2000), pp.97-124
  • K.J.Donnelly (Ed.): Film Music. Critical Strategies. Edinburgh 2001
  • Anahid Kassabian: Hearing Films. Tracking Identifications in Contemporary Hollywood Film Music. New York 2001
  • Pamela Robertson Wojcik and Arthur Knight: Soundtrack Available. Essays on Film and Popular Music. Durham 2001
  • Film History 14:1 (2002): Film/Music, ed.by R.Koszarski
  • Jan G.Swynnoe: The Best Years of British Film Music, 1936-1958. Rochester/NY: Boydell & Brewer, 2002
  • Kay Dickinson: Movie Music. The Film Reader. New York 2003
  • Ian Inglis (Ed.): Popular Music and Film. London 2003
  • Anselm C.Kreuzer: Filmmusik. Geschichte und Analyse. Frankfurt/M etc.: Peter Lang, 20032
  • James Tobias: "Cinema, Scored: Toward a Comparative Methodology for Music in Media." In: Film Quarterly 57:2 (2003-04), pp.26-36
  • AugenBlick Nr.35 (2004): Film und Musik (hg.v.Th.Koebner)
  • Reinhard Kungel: Filmmusik für Filmemacher. Die richtige Musik zum besseren Film. Gau-Heppenheim 2004
  • Peter Rabenalt: Filmmusik. Form und Funktion von Musik im Kino. Berlin 2004
  • Pauline Reay: Music in Film. Soundtracks and Synergy. London: Wallflower, 2004
  • Matthew Caley, Steve Lannin (Eds.): Pop Fiction. The Song in Cinema. Bristol/UK: Intellect, 2005
  • Kevin Donnelly: The Spectre of Sound. Music in Film and Television. London: bfi, 2005
  • Theodor W.Adorno / Hanns Eisler: Komposition für den Film. Frankfurt/M: Suhrkamp, 2006(new ed.) (mit DVD)
  • Juraj Lexmann: Theory of Film Music. Frankfurt/M: Peter Lang, 2006
  • Miguel Mera / David Burnand: European Film Music. Aldershot: Ashgate, 2006
  • Phil Powrie / Robynn Stilwell: Changing Tunes. The Use of Pre-existing Music in Film. Aldershot: Ashgate, 2006
  • Andreas Weidinger: Filmmusik. Konstanz: UVK, 2006
  • Christopher Wintle (Ed.): Film Music and Beyond. Hans Keller. Rochester: Boydell & Brewer, 2006
  • Daniel Goldmark / Lawrence Kramer / Richard Leppert (Eds.): Beyond the Soundtrack. Representing Music in Cinema. Berkeley: U.of California Pr., 2007
  • Peter Larsen: Film Music. London: Reaktion Books, 2007
see also:

OV: Sound / Music

©  2000 – 2008  by   Daniel Kälberer  —  Last Update:  9.1.2008