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- Jacky Bratton, Pam Cook, Christine Gledhill (Eds.): Melodrama.
Stage, Picture, Screen. London 1994
- Christian Cargnelli, Michael Palm (Hg.): Und immer wieder geht
die Sonne auf. Texte zum Melodramatischen im Film. Wien 1994
- Sandy Flitterman-Lewis: "The Blossom and the Bole. Narrative
and Visual Spectacle in Early Film Melodrama." In: Cinema Journal
33:3 (1994), pp.3-15
- Barbara Klinger: Melodrama and Meaning. History, Culture, and
the Films of Douglas Sirk. Bloomington 1994
- Annette Brauerhoch: Die gute und die böse Mutter. Kino
zwischen Melodrama und Horror. Marburg 1996
- Stanley Cavell: Contesting Tears. The Hollywood Melodrama of
the Unknown Woman. Chicago/IL: UP, 1996
- Martha P.Nochimson: "Amnesia `R´ Us: The Retold Melodrama,
Soap Opera, and the Representation of Reality." In: Film
Quarterly 50:3 (1997), pp.27-38
- Linda Williams: "Melodrama Revised." In: N.Browne
(Ed.): Refiguring American Film Genres, Berkeley 1998, pp.42-88
- Mark Gallagher: "I Married Rambo: Spectacle and Melodrama
in the Hollywood Action Film." In: C.Sharrett (Ed.): Mythologies
of Violence in Postmodern Media, Detroit 1999
- Filmgeschichte Nr.14 (2000), S.19-50: "Melodramen."
(Mehrere Beiträge)
- Guy Barefoot: Gaslight Melodrama. From Victorian London to 1940s
Hollywood. New York & London 2001
- Ben Singer: Melodrama and Modernity. Early Sensational Cinema
and Its Contexts. New York 2001
- Linda Williams: Playing the Race Card. Melodramas of Black and
White from Uncle Tom to O.J.Simpson. Princeton/NJ: UP, 2001
- Hermann Kappelhoff: Matrix der Gefühle. Das Kino, das Melodrama
und das Theater der Empfindsamkeit. Berlin 2004
- Thomas Koebner: "Musik zum Abschied. Zur Komposition von
Melodramen." In: AugenBlick Nr.35 (2004), pp.46-68
- John Mercer, Martin Shingler: Melodrama. Genre, Style and Sensibility.
London: Wallflower, 2004
- Gregory Desilet: Our Faith in Evil. Melodrama and the Effects
of Entertainment Violence. Jefferson/NC: McFarland, 2005
- Kathleen McHugh (Ed.): South Korean Golden Age Melodrama. Gender,
Genre, and National Cinema. Detroit 2005
- Muriel Andrin: Maléfiques. Le Mélodrame filmique
américain et ses héroïnes (1940-1953). Frankfurt/M
etc.: Peter Lang, 20072
- Martin Shingler: "Now Voyager (1942): Melodrama
Then and Now." In: J.Chapman / M.Glancy / S.Harper (Eds.):
The New Film History: Sources, Methods, Approaches, New York:
palgrave, 2007
- E.M.Thau: "All that Melodrama Allows: Sirk, Fassbinder,
Almodóvar, Haynes." In: P.Cooke (Ed.): World Cinema's
`Dialogues´ With Hollywood. New York: Palgrave, 2007
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