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- Laurence Hallouin: "Text, Film, Memory: Note on Two Variations
of Melancholy." In: iris No.19 (1995), pp.99-110
- Walter Metz: "»Another being we have created called
`us´«: Point of View, Melancholia, and the Joking
Unconscious in The Bridges of Madison County." In:
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- See Kam Tan: "Chinese diasporic imaginations in Hong Kong
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- Isabelle McNeill: "Phrases, monuments and ruins: melancholy
history in Éloge de l'amour (2001)." In:
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- Hans Helmut Prinzler (Hg.): Friedrich Wilhelm Murnau. Ein Melancholiker
des Films. Berlin: Bertz, 2003
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von Bewusstseinsinhalten in Manoel de Oliveiras Vou Para Casa
(Je rentre a la Maison)." In: M.Lommel u.a. (Hg.): Theater
und Schaulust im aktuellen Film, Bielefeld 2004, pp.77-92
- Linda Williams: "Melancholy Melodrama: Almodóvarian
Grief and Lost Homosexual Attachments.“ In: Journal of Spanish
Culture 5:3 (2004), pp.273-286
- David Bordwell: "Angelopoulos, or Melancholy." In:
D.B.: Figures Traced in Light: On Cinematic Staging, Berkeley:
U.of California Pr., 2005 - (essays/books
by D.Bordwell)
- Mark Nicholls: Scorsese's Men. Melancholia and the Mob. Bloomington:
Indiana UP, 2005
- Hyun-Suk Seo: "The unheard mourning: offscreen sound and
melancholy in Applause." In: Screen 46:2 (2005),
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- Margrit Frölich / Klaus Gronenborn / Karsten Visarius (Hg.):
Kunst der Schatten. Zur melancholischen Grundstimmung des Kinos.
Marburg: Schüren, 2006
- Michael LeBlanc: "Melancholic Arrangements: Music, Queer
Melodrama, and the Seeds of Transformation in The Hours."
In: Camera Obscura No.61 (2006), pp.104-144
- Mark Nicholls: "Visconti´s Il gattopardo:
Melancholia and the Radical Sensibility." In: Quarterly Review
of Film and Video 23:2 (2006), pp.97-110
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