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- Dugald Williamson: "Language and Sexual Difference."
In: Screen 28:1 (1987), pp.10-27
- Catherine Russell: "The Figure in the Monitor: Beckett,
Lacan, and Video." In: Cinema Journal 28:4 (1989), pp.20-37
- Kaja Silverman: "Fassbinder and Lacan: A Reconsideration
of Gaze, Look, and Image." In: Camera Obscura No.19 (1989),
pp.54-84
- Slavoj Zizek: Enjoy Your Symptom! Jacques Lacan in and out of
Hollywood. New York 1992
- Robert Samuels: Hitchcock´s Bi-Textuality. Lacan, Feminisms,
and Queer Theory. Albany/NY 1998
- Joan Copjec: "The Orthopsychic Subject: Film Theory and
the Reception of Lacan." In: E.A.Kaplan (Ed.): Feminism and
Film, Oxford 2000, pp.287-307
- Marcus A.Doel and David B.Clarke: "Lacan: The Movie."
In: T.Creswell and D.Dixon (Eds.): Engaging Film, Lanham/MD 2002,
pp.69-92
- Manfred Riepe: Bildgeschwüre. Körper und Fremdkörper
im Kino David Cronenbergs. Psychoanalytische Filmlektüren
nach Freud und Lacan. Bielefeld 2002
- Slavoj Zizek u.a.: Was Sie schon immer über Lacan wissen
wollten und Hitchcock nie zu fragen wagten. Frankfurt/M 2002 (Orig.:
Paris 1988/dt.:1992)
- Todd McGowan and Sheila Kunkle (Eds.): Lacan and Contemporary
Film. New York 2004
- Fabio Vighi: Traumatic Encounters in Italian Film. Locating
the Cinematic Unconscious. Bristol/UK: Intellect, 2006
- Todd McGowan: The Real Gaze. Film Theory after Lacan. Albany:
SUNY Press, 2007
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