Home

New

Index

Subjects

Persons

Contact



Reference Literature to Independent Film

  • Donald Lyons: Independent Visions. A Critical Introduction to Recent Independent American Film. New York 1994
  • John Pierson: Spike, Mike, Slackers & Dykes. A Guided Tour across a Decade of American Independent Cinema. London 1996
  • Chuck Kleinhans: "Independent Features: Hopes and Dreams." In: J.Lewis (Ed.): The New American Cinema, Durham 1998, pp.307-327
  • James Schamus: "To the rear of the back end: the economics of independent cinema." In: S.Neale and M.Smith (Eds.): Contemporary Hollywood Cinema, London & New York 1998, pp.91-106
  • Geoff Andrew: Stranger than Paradise. Mavericks - Regisseure des amerikanischen Independent-Kinos. Mainz 1999
  • Emanuel Levy: Cinema of Outsiders. The Rise of American Independent Film. New York 1999
  • Greg Merritt: Celluloid Mavericks. A History of American Independent Film. New York 2000
  • Jim Hillier (Ed.): American Independent Cinema. A Sight and Sound Reader. London 2001
  • Brian Neve: "Independent cinema and modern Hollywood: pluralism in American cultural politics?" In: P.J.Davies and P.Wells (Eds.): American film and politics from Reagan to Bush Jr., Manchester 2002, pp.123-138
  • E.Deidre Pribram: Cinema & Culture. Independent Film in the United States, 1980-2001. Frankfurt/M et al.: Peter Lang, 2002
  • Jeffrey Sconce: "Irony, nihilism and the new American `smart´ film." In: Screen 43:4 (2002), pp.349-369
  • Vincent LoBrutto: The Encyclopedia of American Independent Filmmaking. Westport 2003
  • Peter Biskind: Down and Dirty Pictures. Miramax, Sundance, and the Rise of Independent Film. New York 2004
  • Chris Holmlund and Justin Wyatt (Eds.): Contemporary American Independent Film. From the Margins to the Mainstream. London & New York 2004
  • Jason Wood: 100 American Independent Films. London 2004
  • Geoff King: American Independent Cinema. London: I.B.Tauris, 2005
  • Andreas Jahn-Sudmann: Der Widerspenstigen Zähmung? Zur Politik der Repräsentation im gegenwärtigen US-amerikanischen Independent-Film. Bielefeld: transcript, 2006
  • James Mottram: Sundance Kids. How the Mavericks Took Over Hollywood. London: faber & faber, 2006
  • Yannis Tzioumakis: American Independent Cinema. Edinburgh: UP, 2006
  • J.J.Murphy: Me and You and Memento and Fargo. How Independent Screenplays Work. London & New York: Continuum, 2007
see also:

Underground Film

Poverty Row Studios

©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  13.6.2007