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- Richard Maltby: Harmless Entertainment. Hollywood and the Ideology
of Concensus. Metuchen/NJ 1983 - (essays/books
by R.Maltby)
- Charles Musser: "Work, Ideology and Chaplinīs Tramp." In: Radical
History Review 41 (Spring 1988) - (essays/books
by Ch.Musser)
- Peter Kremski (Ed.): Film in der Revolution, Revolution im Film.
Essen 1990
- Stephen Lowry: Pathos und Politik. Ideologie im Spielfilm des
Nationalsozialismus. Tübingen 1991
- Steven J.Ross: "Struggles for the Screen. Workers, Radicals,
and the Political Uses of Film." In: American Historical Review
96 (1991)
- Mike Cormack: Ideology and Cinematography in Hollywood, 1930-1939.
New York 1994
- Jane Gaines: "Revolutionary Theory / Prerevolutionary Melodrama."
In: Discourse: Journal for Theoretical Studies in Media and Culture
17:3 (Spring 1995)
- Héctor Rodríguez: "Ideology and Film Culture".
In: R.Allen and M.Smith (Eds.): Film Theory and Philosophy, Oxford
1997, pp.260-281
- Kenneth Lloyd Billingsley: The Hollywood Party. How Communism
Seduced the American Film Industry in the 1930s and 1940s. Rocklin/CA
1998
- Philip Green: Cracks in the Pedestal. Ideology and Gender in
Hollywood. Amherst/MA: U.of Massachusetts Pr., 1998
- The Velvet Light Trap No.43 (1999): Ideologies
- Merrill Beverly Kelley: Reelpolitik II. Political Ideologies
in 50´s and 60´s Films. Lanham/MD: Rowman & Littlefield,
2004
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