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- Paul Wells: The Horror Genre. From Beelzebub to Blair Witch.
London 2000
- Marc Jancovich (Ed.): Horror. The Film Reader. New York 2002
- Ronald M.Hahn / Rolf Giesen: Das neue Lexikon des Horrorfilms.
Berlin 2002
- Patrick Vonderau: "»In the hands of a maniac«.
Der moderne Horrorfilm als kommunikatives Handlungsspiel."
In: montage/av 11:2 (2002), pp.129-146
- Patrick Gonder: "Like a Monstrous Jigsaw Puzzle: Genetics
and Race in Horror Films of the 1950s." In: The Velvet Light
Trap No.52 (2003), pp.33-44
- Mark A.Vieira: Hollywood horror. From gothic to cosmic. New
York 2003
- Barry Keith Grant / Christopher Sharrett (Ed.): Planks of Reason.
Essays on the Horror Film. Lanham/MD 2004rev.ed.
- Martin Harris: "You Can´t Kill the Boogeyman: Halloween
III and the Modern Horror Franchise." In: Journal of
Popular Film & TV 32:3 (2004), pp.98-109
- Kevin Heffernan: Ghouls, Gimmicks, and Gold. Horror Films and
the American Movie Business, 1953-1968. Durham/NC 2004
- Joseph Maddrey: Nightmares in Red, White and Blue. The Evolution
of the American Horror Film. Jefferson/NC 2004
- Stephen Prince (Ed.): The Horror Film. New Brunswick/NJ: Rutgers
UP, 2004
- Steven Schneider (Ed.): Horror Film and Psychoanalysis. Freud´s
Worst Nightmare. Cambridge/UK: UP, 2004
- Ursula Vossen (Hg.): Filmgenres: Horrorfilm. Stuttgart: Reclam,
2004
- Aviva Briefel: "Monster Pains: Masochism, Menstruation,
and Identification in the Horror Film." In: Film Quarterly
58:3 (2005), pp.16-27
- Tony Magistrale: Abject Terrors. Surveying the Modern and Postmodern
Horror Film. Frankfurt/M et al.: Peter Lang, 2005
- Jay McRoy (Ed.): Japanese Horror Cinema. Edinburgh: Edinburgh
U.Pr., 2005
- Anna Powell: Deleuze and Horror Film. Edinburgh: Edinburgh U.Pr.,
2005
- Steven Jay Schneider / Tony Williams (Eds.): Horror International.
Detroit: Wayne State UP, 2005
- Georg Seeßlen / Fernand Jung: Horror. Grundlagen des populären
Films. Marburg: Schüren, 2005
- Adam Lowenstein: Shocking Representation. Historical Trauma,
National Cinema, and the Modern Horror Film. New York: Columbia
UP, 2005
- Kendall R.Phillips: Projected Fears. Horror Films and American
Culture. Portsmouth/NH: Greenwood, 2005
- Matt Becker: "A Point of Little Hope: Hippie Horror Films
amd the Politics of Ambivalence." In: The Velvet Light Trap
No.57 (2006), pp.42-59
- Steffen Hantke (Ed.): Caligari's Heirs. The German Cinema of
Fear after 1945. Lanham/MD: Scarecrow, 2006
- Reynold Humphries: The Hollywood Horror Film, 1931-1941. Madness
in a Social Landscape. Lanham/MD: Scarecrow, 2006
- Mikel J.Koven: La Dolce Morte. Vernacular Cinema and the Italian
Giallo Film. Lanham/MD: Scarecrow, 2006
- Arno Meteling: Monster. Zu Körperlichkeit und Medialität
im modernen Horrorfilm. Bielefeld: transcript, 2006
- Rick Worland: The Horror Film. An Introduction. Malden/MA: Blackwell,
2006
- Richard J.Hand / Jay McRoy (Eds.): Monstrous Adaptations. Generic
and Thematic Mutations in Horror Film. Manchester: UP, 2007
- John Kenneth Muir: Horror Films of the 1970s. Jefferson/NC:
McFarland, 2007
- John Kenneth Muir: Horror Films of the 1980s. Jefferson/NC:
McFarland, 2007
- Steven Jay Schneider (Ed.): 100 European Horror Films. London:
bfi, 2007
- Robert Spadoni: Uncanny Bodies. The Coming of Sound Film and
the Origins of the Horror Genre. Berkeley: University of California
Pr, 2007
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