|
- Annette Brauerhoch: Die gute und die böse Mutter. Kino
zwischen Melodrama und Horror. Marburg 1996
- Lucy Fischer: Cinematernity. Film, Motherhood, Genre. Princeton
1996
- E.Ann Kaplan: "The Case of the Missing Mother: Maternal
Issues in Vidor´s Stella Dallas." In: Feminism
and Film, Oxford 2000, pp.466-478 - (essays/books
by E.A.Kaplan)
- Maria Margaroni: "Jane Campion´s Selling of the Mother/Land:
Restaging the Crisis of the Postcolonial Subject." In: Camera
Obscura No.53 (2003), pp.93-123
- Adrián Pérez Melgosa: "Imaging crisis in
contemporary Argentina: mothers on the street and mothers on the
screen." In: Studies in Hispanic Cinema 1:3 (2004)
- E.Kim Stone: "Recovering the Lone Mother: Howards End
As Aesthetic Anodyne." In: Camera Obscura No.55 (2004), pp.43-75
- Elaine Roth: "Momophobia: Incapacitated Mothers and Their
Adult Children in 1990´s Films." In: Quarterly Review
of Film and Video 22:2 (2005)
- Mary Desjardins: "Free from the Apron Strings: Representations
of Mothers in the Maternal British State." In: L.Friedman
(Ed.): Fires Were Started: British Cinema and Thatcherism. London:
Wallflower, 20062
- Sue Short: "Maternal Monsters and Motherly Mentors: Failed
Initiations in Carrie and Carrie II." In:
S.S.: Misfit Sisters: Screen Horror as Female Rites of Passage.
New York: Palgrave, 2006
|
|