|
- John Fletcher: "Versions of Masquerade." In: Screen
29:3 (1988), pp.43-71
- Steven Cohan: "Masquerading as the American Male in the
Fifties: Picnic, William Holden and the Spectacle of
Masculinity in Hollywood Film." In: Camera Obscura No.25-26
(1991), pp.43-73
- Steven Cohan: "Cary Grant in the fifties: indiscretions
of the bachelor´s masquerade." In: Screen 33:4 (1992),
pp.394-411
- Martin Shingler: "Masquerade or drag? Bette Davis and the
ambiguities of gender." In: Screen 36:3 (1995), pp.179-192
- Jennifer Peterson: "The Competing Tunes of Johnny Guitar:
Liberalism, Sexuality, Masquerade." In: Cinema Journal 35:3
(1996), pp.3-18
- Gaylyn Studlar: This Mad Masquerade. Stardom and Masculinity
in the Jazz Age. New York 1996
- Mary Ann Doane: "Film and the Masquerade: Theorizing the
Female Spectator." In: E.A.Kaplan (Ed.): Feminism and Film,
Oxford 2000, pp.418-436
- Janice Mouton: "From Feminine Masquerade to Flâneuse:
Agnès Varda´s Cléo in the City."
In: Cinema Journal 40:2 (2001), pp.3-16
- Rebecca Feasey: "Stardom and Sharon Stone: Power as Masquerade."
In: Quarterly Review of Film and Video 21:3 (2004), pp.199-207
- Cordula Quint: "Boys Won’t Be Boys: Cross-Gender
Masquerade and Queer Agency in Ma Vie en rose."
In: M.Pomerance and F.Gateward (Eds.): Where the Boys Are: Cinemas
of Masculinity and Youth, Detroit 2005, pp.41-60
- Victoria Sturtevant: "Spitfire: Lupe Vélez and the
Ambivalent Pleasures of Ethnic Masquerade." In: The Velvet
Light Trap No.55 (2005), pp.19-32
|
|
