|
- Panivong Norindr: Phantasmatic Indochina. French Colonial Ideology
in Architecture, Film and Literature. Durham 1996
- Dina Sherzer (Ed.): Cinema, Colonialism, Postcolonialism. Perspectives
from the French and Francophone Worlds. Austin 1996
- Charles O´Brien: "The `Cinéma colonial´
of 1930s France: Film Narration as Spatial Practice." In:
M.Bernstein and G.Studlar (Eds.): Visions of the East, New Brunswick/NJ
1997, pp.207-231
- Ashish Rajadhyaksha: "Realism, modernism, and post-colonial
theory." In: J.Hill / P.Ch.Gibson (Eds.): The Oxford Guide
to Film Studies, Oxford 1998, pp.413-425
- Gwendolyn Audrey Foster: Captive Bodies. Postcolonial Subjectivity
in Cinema. Albany/NY 1999
- James Burns: "Watching Africans Watch Films: theories of
spectatorship in British Colonial Africa." In: Historical
Journal of Film, Radio and Television 20:2 (2000), pp.197-212
- Prem Chowdhry: Colonial India and the Making of Empire Cinema.
Image, Ideology and Identity. Manchester & New York 2000
- Dorit Naaman: "Woman/Nation: A Postcolonial Look at Female
Subjectivity." In: Quarterly Review of Film and Video 17:4
(2000), pp.333-342
- Robert Stam / Ella Habiba Shohat: "Film theory and spectatorship
in the age of the `posts´." In: C.Gledhill / L.Williams
(Eds.): Reinventing Film Studies, London 2000, pp.381-401
- David Henry Slavin: Colonial Cinema and Imperial France, 1919–1939.
White Blind Spots, Male Fantasies, Settler Myths. Baltimore/MD
2001
- Guido Rings / Rikki Morgan-Tamosunas (Eds.): European Cinema:
Inside Out. Images of the Self and the Other in Postcolonial European
Film. Heidelberg 2003
- Ella Shohat / Robert Stam (Eds.): Multiculturalism, Postcolonialism
and Transnational Media. New Brunswick 2003
- Femi Okiremuete Shaka: Modernity and the African Cinema. A Study
in Colonialist Discourse, Postcoloniality and Modern African Identities.
Trenton 2004
- Reena Dube: Satyajit Ray's The Chess Players and Post
Colonial Film Theory. New York 2005
- Inderpal Grewal / Caren Kaplan: "Warrior marks: global
womanism´s neo-colonial discourse in a multicultural context."
In: M.Tinkcom / A.Villarejo (Eds.): Keyframes: Popular Cinema
and Cultural Studies. London: Routledge, 2001, pp.52-71
- John Mowitt: Re-takes. Postcoloniality and Foreign Film Languages.
Minneapolis: U.of Minnesota Pr., 2005
- Dimitris Eleftheriotis / Gary Needham (Eds.): Asian Cinemas.
A Reader and Guide. Edinburgh: UP, 2006 (Section 2: Colonial Encounters,
Post-colonial Criticism and Hong Kong Cinema)
- Teshome H.Gabriel: "Colonialism and `law and order´
criticism." In: C.Grant / A.Kuhn (Eds.): Screening World
Cinema. The Screen Reader. London & New York: Routledge, 2006
|
|