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- Robert Tanitch: Blockbusters!. 70 Years of Best-Selling Movies.
London 2000
- Thomas Elsaesser: "The Blockbuster: Everything Connects,
but Not Everything Goes." In:J.Lewis (Ed.): The End of Cinema
as we know it, New York 2001, pp.1-22 - (essays/books
by Th.Elsaesser)
- Geoff King: Spectacular Narratives: Hollywood in the age of
the blockbuster. London 200
- Alisa Perren: "sex, lies and marketing: Miramax and the
Development of the Quality Indie Blockbuster." In: Film Quarterly
55:2 (2001), pp.30-39
- Sheldon Hall: "Tall Revenue Features: The Genealogy of
the Modern Blockbuster." In: S.Neale (Ed.): Genre and Contemporary
Hollywood, London 2002, pp.11-26
- Robert Blanchet: Blockbuster. Ästhetik, Ökonomie und
Geschichte des postklassischen Hollywoodkinos. Marburg 2003
- Julian Stringer (Ed.): Movie Blockbusters. London 2003
- Tom Shone: Blockbuster. How Hollywood learned to stop worrying
and love the summer. New York 2004
- Marianne Skarics: Popularkino als Ersatzkirche? Das Erfolgsprinzip
aktueller Blockbuster. Münster 2004
- Sabine Horst: "Massive Attack. Das Blockbuster-Kino und
der Krieg." In: epd-Film 5/05, pp.18-23
- Alexander Loskant: Der neue europäische Großfilm.
Ökonomie und Ästhetik europäischer Kinogroßproduktionen
der 90er Jahre. Frankfurt/M: Peter Lang, 2005
- Michaela Ott: u.a. Hollywood. Phantasma / Symbolische Ordnung
in Zeiten des Blockbuster-Films. München: edition text+kritik,
2005
- Drehli Robnik: "Mass Memories of Movies: Cinephilia as
Norm and Narrative in Blockbuster Culture." In: M.de Valck
and M.Hagener (Ed.): Cinephilia: Movies, Love and Memory, Amsterdam:
UP, 2005, pp.55-64
- Warren Buckland: Directed by Steven Spielberg. Poetics of the
Contemporary Hollywood Blockbuster. London & New York: Continuum,
2006
- Daniel Biltereyst / Philippe Meers: "Blockbusters and/as
Events: Distributing and Launching The Lord of the Rings."
In: E.Mathijs (Ed.): Lord of the Rings: Popular Culture
in Global Context, London: Wallflower, 2006
- Jaap van Ginneken: Screening Difference. How Hollywood's Blockbuster
Films Imagine Race, Ethnicity, and Culture. Lanham/MD: Rowman
& Littlefield, 2007
- Constantine Santas: The Epic in Film. From Myth to Blockbuster.
Lanham/MD: Rowman & Littlefield, 2007
- Herbert Schwaab: "Wie es möglich ist von einem digitalen
Riesenaffen berührt
zu werden – Blockbusterkino, CGI und die Essenzen des Films."
In: D.Kloock (Hg.): Zukunft Kino: The End of the Reel World, Marburg:
Schüren, 2007, pp.124-143
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