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- Gustav Ernst: Autorenfilm, Filmautoren. Wien 1996
- Berys Gaut: "Film Authorship and Collaboration." In:
R.Allen / M.Smith (Eds.): Film Theory and Philosophy, Oxford 1997,
pp.149-172
- David A.Cook: "Auteur Cinema and the `Film Generation´
in 1970s Hollywood." In: J.Lewis (Ed.): The New American
Cinema, Durham 1998, pp.11-37
- Timothy Corrigan: "Auteurs and the New Hollywood."
In: J.Lewis (Ed.): The New American Cinema, Durham/NC 1998, pp.38-63
- Stephen Crofts: "Authorship and Hollywood." In: J.Hill
/ P.C.Gibson (Eds.): The Oxford Guide to Film Studies, Oxford
1998, pp.310-324
- Corinna Müller: "Das `andere´ Kino? Autorenfilme in
der Vorkriegsära." In: C.Müller u. H.Segeberg (Hg.):
Die Modellierung des Kinofilms, München 1998, pp.153-192
- iris No.28 (1999): Le Cinéma d´auteur et le statut
de l´auteur au cinéma /
Author´s Cinema and the Status of the Author in Cinema
- James Naremore: "Authorship." In: T.Miller / R.Stam
(Eds.): A Companion to Film Theory, Malden/MA 1999, pp.9-24
- Fotis Jannidis / Gerhard Lauer / Matias Martinez / Simone Winko
(Hg.): Texte zur Theorie der Autorschaft. Stuttgart 2000
- Markus Stiglegger (Hg.): Splitter im Gewebe. Filmemacher zwischen
Autorenfilm und Mainstreamkino. Mainz 2000
- Lutz Nitsche: Hitchcock - Greenaway - Tarantino. Paratextuelle
Attraktionen des Autorenkinos. Stuttgart; Weimar 2002
- Jürgen Felix: "Autorenkino." In: J.Felix (Hg.):
Moderne Film Theorie, Mainz 20032, pp.13-57
- David A.Gerstner / Janet Staiger (Eds.): Authorship and Film.
New York: Routledge, 2003
- Virginia Wright Wexman: Film and Authorship. New Brunswick/NJ:
Rutgers UP, 2003
- Derek Nystrom: "Hard Hats and Movie Brats: Auteurism and
the Class Politics of the New Hollywood." In: Cinema Journal
43:3 (2004), pp.18-41
- Thomas Elsaesser: "European Culture, National Cinema, the
Auteur and Hollywood." In: European Cinema, Amsterdam: UP,
2005, pp.35-56 (essays/books
by Th.Elsaesser)
- David Wharton / Jeremy Grant: Teaching Auteur Study. London:
bfi, 2005
- Steffen Hantke (Ed.): Caligari's Heirs. The German Cinema of
Fear after 1945. Lanham/MD: Scarecrow, 2006
(Part 2: German Autorenkino and Horror Film: Influences,
Dialogues, Exchanges)
- Geetha Ramanathan: Feminist Auteurs. Reading Women's Films.
London: Wallflower, 2006
- The Velvet Light Trap No.57 (2006): Authorship
- Barry Keith Grant: "Genre and Authorship." In: B.K.G.:
Film Genre. From Iconography to Ideology. London: Wallflower,
2007
- Jon Lewis: "The Perfect Money Machine(s): George Lucas,
Steven Spielberg, and Auteurism in the New Hollywood." In:
J.L. / Eric Smoodin (Eds.): Looking Past the Screen. Durham: Duke
UP, 2007, pp.61-85
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