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- Brian C.Etheridge: "In Search of Germans: Contested Germany
in the Production of The Search." In: Journal of
Popular Film & TV 34:1 (2006), pp.34-45
- Herbert Hrachovec: "Schwarze Heimat. Act of Violence
von Fred Zinnemann (1949)." In: Schatten. Exil, hg.v. C.Cargnelli
u. M.Omasta, Wien 1997, S.310-314
- Thomas Kuchenbuch: "Modell 3: Technisch perfektionierte Fiktion".
In: Filmanalyse, Köln 1978, S.130-170 (über High
Noon)
- Bernhard von Dadelsen: "Die Neue und die Alte Zeit - Der
klassische Western: Zwölf Uhr Mittags (High
Noon, 1952)". In: Fischer Filmgeschichte, Bd.3, hg.v.
W.Faulstich u. H.Korte, Frankfurt/M 1990, S.189-205
- Philip Drummond: High Noon. London 1997
- Michael F.Blake: Code of Honor. The Making of Three Great Westerns
- High Noon, Shane and The Searchers.
New York: Taylor, 2003
- Jeremy Byman: Showdown at High Noon. Witch-Hunts, Critics,
and the End of the Western. Lanham/MD 2004
- Neil Lerner: "»Look at that Big Hand Move Along«:
Clocks, Containment, and Music in High Noon.“ In:
South Atlantic Quarterly 104:1 (2005), pp.151-73
- Karl Kroeber: "Genre and Transforming Sources: High
Noon Forenoon." + "Seeing and Imagining Ethical
Crises: High Noon: Afternoon." In: Make Believe
in Film and Fiction: Visual vs. Verbal Storytelling, New York:
Palgrave Macmillan, 2006
- Roger Cushing Aikin: "Was Jud Jewish? Property, Ethnicity,
and Gender in Oklahoma!." In: Quarterly Review of
Film & Video 22:3 (2005), S.277-283
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