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Reference Literature on Quentin Tarantino

  • Sharon Willis: "The Fathers Watch the Boys´ Room." In: Camera Obscura No.32 (1993-94), pp.41-73
  • Jami Bernard: Quentin Tarantino. The Man and His Movies. London 1995
  • A.Samuel Kimball: "»Bad-Ass Dudes« in Pulp Fiction: Homophobies and the Counterphobic Idealization of Women." In: Quarterly Review of Film and Video 16:2 (1997), pp.171-191
  • Uwe Nagel: Der rote Faden aus Blut. Erzählstrukturen bei Quentin Tarantino. Marburg 1997
  • Gerald Peary: Quentin Tarantino. Interviews. Jackson 1998
  • Youri Deschamps: "L´auteur de film, cet écho de cinéma. Quentin Tarantino ou le mauvais genre à bonne distance." In: iris No.28 (1999), pp.71-78
  • Dana Polan: Pulp Fiction. London 2000
  • Sharon Willis: "`Style´, Posture, and Idiom: Tarantino´s Figures of Maculinity." In: C.Gledhill / L.Williams (Eds.): Reinventing Film Studies, London 2000, pp.279-295
  • Fred Botting / Scott Wilson: The Tarantinian Ethics. London 2001
  • Scott Kirsch: "Spectacular Violence, Hypergeography, and the Question of Alienation in Pulp Fiction." In: T.Creswell / D.Dixon (Eds.): Engaging Film, Lanham/NC 2002, pp.32-46
  • Lutz Nitsche: Hitchcock - Greenaway - Tarantino. Paratextuelle Attraktionen des Autorenkinos. Stuttgart & Weimar 2002
  • Knut Hickethier: "Pulp Fiction." In: J.Felix (Hg.): Moderne Film Theorie, Mainz 20032, pp.97-103
  • Kelly Ritter: "Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse." In: D.Blakesley (Ed.): The Terministic Screen, Carbondale 2003, pp.286-301
  • Rebecca L.Epstein: "Appetite for Destruction: Gangster Food and Genre Convention in Quentin Tarantino´s Pulp Fiction." In: A.L.Bower (Ed.): Reel Food, New York & London 2004, pp.195-207
  • Robert Fischer / Peter Körte / Georg Seeßlen: Quentin Tarantino. Berlin 20044
  • Robert Miklitsch: "Audiophilia: audiovisual pleasure and narrative cinema in Jackie Brown." In: Screen 45:4 (2004), pp.287-304
  • Korinna Barthel: Das Quentchen Gewalt. Heiße und kalte Gewalt in den Filmen Quentin Tarantinos. Marburg 2005
  • Gregory Desilet: "Postmodern `Noir´ Melodrama: Pulp Fiction." In: G.D.: Our Faith in Evil. Melodrama and the Effects of Entertainment Violence. Jefferson/NC: McFarland, 2005, pp.299-305
  • Paul Gormley: "Miming Blackness: Reservoir Dogs and `American Africanism´." In: P.G.: The New-Brutality Film, Bristol/UK: Intellect, 2005, pp.137-158
  • Jenna Ng: "Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill." In: M.de Valck / M.Hagener (Eds.): Cinephilia: Movies, Love and Memory, Amsterdam: UP, 2005, pp.65-81
  • Elaine Page: Quintessential Tarantino. The Films of Quentin Tarantino. London: Marion Boyars, 2005
  • Paul A.Woods (Ed.): Quentin Tarantino. The film geek files. London: Plexus, 2005
  • Charles Ramírez Berg: "A Taxonomy of Alternative Plots in Recent Films: Classifying the `Tarantino Effect´". In: Film Criticism 31:1-2 (2006), pp.5-60
  • Mark T.Conard: "Symbolism, Meaning, and Nihilism in Quentin Tarantino’s Pulp Fiction." In: M.T.C. (Ed.): The Philosophy of Film Noir, Lexington: U.of Kentucky Pr, 2006, pp.125-138
  • Achim Geisenhanslüke / Christian Steltz (Hg.): Unfinished Business. Quentin Tarantinos Kill Bill und die offenen Rechnungen der Kulturwissenschaften. Bielefeld: transcript, 2006
  • Sonja Neiß: Filme von Quentin Tarantino. Ein Regisseur prägt ein neues Genre. Norderstedt : VDM, 2007
see also:

©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  4.9.2007