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- Filmkritik 10/68, pp.681-716: Jean-Marie Straub
- Jean-Marie Straub / Danielle Huillet: "Scenarios of History
Lessons and Introduction to Arnold Schoenbergs Accompaniment
to a Cinematograph Scene." In: Screen 17:1 (1976), pp.54-83
- Jean-André Fieschi (Ed.): Les films de Jean-Marie Straub
et Danièle Huillet. Paris: Le Centre Allemand, 1977
- Martin Walsh: "Introduction to Arnold Schoenherg´s
`Accompaniment for a Cinematographic Scene´: Straub
/ Huillett: Brecht: Schoenberg." In: Camera Obscura No.2
(1977), pp.35-50
- Melanie Magisos: "Not Reconciled: The Destruction
of Narrative Pleasure." In: Wide Angle 3:4 (1980), pp.35-41
- Martin Walsh: "Introduction to Arnold Schoenberg´s
`Accompaniment for a Cinematographic Scene´."
In: M.W.: The Brechtian Aspect of Radical Cinema. London: bfi,
1981
- Karsten Witte: "Tafelbild für die Commune. Jede
Revolution ist ein Würfelwurf." In: Filme Nr.11
(1981), pp.39-40
- Barton Byg: Landscapes of Resistance. The German Films of Danièle
Huillet and Jean-Marie Straub. Berkeley: U. of California Pr.,
1995
- Burlin Barr: "Too Close, Too Far: Cultural Composition
in Straub and Huillet´s Too Early, Too Late."
In: Camera Obscura No.53 (2003), pp.1-25
- Ursula Böser: The Art of Seeing, the Art of Listening.
The Politics of Representation in the Work of Jean-Marie Straub
and Danièle Huillet. Frankfurt/M et al.: Peter Lang, 2004
- Astrid Johanna Ofner (Hg.): Die Früchte des Zorns und der
Zärtlichkeit. Werkschau Danièle Huillet / Jean-Marie
Straub und ausgewählte Filme von John Ford. Wien 2004
- Jacques Aumont: "The Invention of Place: Danièle
Huillet and Jean-Marie Straub´s Moses and Aaron."
In: M.Lefebvre (Ed.): Landscape and Film, London & New York:
Routledge, 2006, pp.1-18
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