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Reference Literature on Carlos Saura

  • Marsha Kinder: "Carlos Saura: The Political Development of Individual Consciousness." In: Film Quarterly 32:3 (1979), pp.14-25
  • Peter W.Jansen / Wolfram Schütte (Hg.): Carlos Saura. München &, Wien: Hanser, 1981
  • Marvin D´Lugo: "Carlos Saura: Constructive Imagination in Post-Franco Cinema." In: Quarterly Review of Film Studies 8:2 (1983), pp.35-48
  • Hans M.Eichenlaub: Carlos Saura. Ein Filmbuch. Freiburg 1984
  • Marvin D´Lugo: "Historical Reflexivity: Saura´s Anti-Carmen." In: Wide Angle 9:3 (1987), pp.52-61
  • Katherine S.Kovacs: "Parody as `Countersong´ in Saura and Godard." In: Quarterly Review of Film and Video 12:1-2 (1990), pp.105-123
  • Marvin D´Lugo: The Films of Carlos Saura. The Practice of Seeing. Princeton/NJ 1991
  • Renate Gompper: Carlos Saura und die »totale Realität«. Die Kraft der Erinnerung in seinem filmischen Werk. Frankfurt/M et al: Peter Lang, 1994
  • Fred Ritzel: "Oper und Musik im Film: Carmen (1983)." In: W.Faulstich / H.Korte (Hg.): Fischer Filmgeschichte, Bd.5, Frankfurt/M: Fischer, 1995, pp.120-136
  • Maria Delgado: "Saura´s Los golfos (1959; Released 1962): Heralding a New Cinema for the 1960s." In: P.W.Evans (Ed.): Spanish Cinema, Oxford 1999, pp.38-54
  • Linda M.Willem (Ed.): Carlos Saura. Interviews. Jackson 2003
see also:

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