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- John Russell Taylor: "Satyajit Ray." In: R.Roud (Ed.):
Cinema: A Critical Dictionary, London 1980, pp.813-831
- Darius Cooper: "The Home and the World."
In: Film Quarterly 43:2 (1989-90), pp.40-43
- Bishnupriya Ghosh: "Satyajit Ray´s Devi:
constructing a third-world feminist `critique´." In:
Screen 33:2 (1992), pp.165-173
- Suranjan Ganguly: "No Moksha: Arcadia Lost in Satyajit
Ray´s Days and Nights in the Forest." In:
Film Criticism 19:2 (1994-95), pp.75-85
- Keya Ganguly: "Carnal Knowledge: Visuality and the Modern
in Charulata." In: Camera Obscura No.37 (1996),
pp.157-187
- Darius Cooper: The Cinema of Satyajit Ray. Between Tradition
and Modernity. Cambridge 2000
- Freunde der Deutschen Kinemathek (Hg.): Satyajit Ray. Berlin
2003 (Kinemathek Nr.96)
- Patrick Colm Hogan: "Rasa Theory and Dharma Theory: From
The Home and the World to Bandit Queen."
In: Quarterly Review of Film and Video 20:1 (2003), pp.37-52
- Andrew Robinson: Satyajit Ray. The Inner Eye. The Biography
of a Master Film-Maker. London 20042
- Reena Dube: Satyajit Ray's The Chess Players and Post
Colonial Film Theory. London: Palgrave, 2005
- Bert Cardullo (Ed.): Satyajit Ray: Interviews. Jackson: UP of
Mississippi, 2007
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