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in the Films of Nicolas Roeg." In: Quarterly Review of Film
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- Michael Dempsey: "Eureka and Insignificance."
In: Film Quarterly 39:2 (1985-86), pp.49-55
- Joseph Lanza: Fragile Geometry. The Films, Philosophy and Misadventures
of Nicolas Roeg. New York 1989
- Dan Thu Nguyen: "The `Projectile´ Movie Revisited:
The Female Body in Track 29 and Dead Ringers."
In: Film Criticism 14:3 (1990), pp.39-54
- John Izod: The Films of Nicolas Roeg. Myth and Mind. London
1992
- Scott Salwolke: Nicolas Roeg Film by Film. Jefferson 1993
- Toby Miller: "Psycho´s Bad Timing:
The Sensual Obsessions of Film Theory." In: T.Miller
/ R.Stam (Eds.): A Companion to Film Theory, Malden/MA 1999, pp.323-332
- Kristi Wilson: "Time, space and vision: Nicolas Roeg´s
Don´t Look Now." In: Screen 40:3 (1999), pp.277-294
- Thomas Koebner: "Der Animist in der Moderne. Das Kino des
Nicolas Roeg." In: T.K.: Wie in einem Spiegel. Schriften
zum Film III, St.Augustin 2003, S.184-203
- Mark Gallagher: "Tripped Out: The Psychedelic Film and
Masculinity." In: Quarterly Review of Film and Video 21:3
(2004), pp.161-171 (a.o. on Performance)
- Jacobia Dahm: "Trauer: Nicolas Roegs Don´t Look
Now and Ang Lees The Ice Storm." In: S.Marschall
/ F.Liptay (Hg.): Mit allen Sinnen: Gefühl und Empfindung
im Kino, Marburg: Schüren, 2006, pp.241-251
- Mattias Frey: "London à la mod: Fashion, Genre,
and Historical Space in Performance." In: Quarterly
Review of Film and Video 23:4 (2006), pp.369-376
- Marcus Stiglegger / Carsten Bergemann (Hg.): Nicolas Roeg. München:
edition text + kritik, 2006 (Film-Konzepte Nr.3)
- Jim Leach: "»Everyone’s an American Now«:
Thatcherite Ideology in the Films of Nicolas Roeg." In: L.Friedman
(Ed.): Fires Were Started: British Cinema and Thatcherism. London:
Wallflower, 20062
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