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- Otto Preminger: Preminger: An Autobiography. Garden City/NJ:
Doubleday, 1977
- Hart Wegner: "From Expressionism to Film Noir: Otto Preminger´s
Where the Sidewalk Ends." In: Journal of Popular
Film & TV 11:2 (1983), pp.56-65
- Gérard Legrand / Jacques Lourcelles / Michel Mardore:
Otto Preminger. Paris 1993
- Odile Bächler: Laura. Otto Preminger: étude
critique. Paris: Nathan, 1995
- Georg Seeßlen: "Die Auflösung des Familienromans
in einer fremden Welt. Angel Face von Otto Preminger
(1952)." In: C.Cargnelli / M.Omasta (Hg.): Schatten: Exil,
Wien 1997, pp.268-277
- G.Tom Poe: "Secrets, lies and Cold War politics. `Making
Sense´ of Otto Preminger´s Advise and Consent."
In: Film History 10:3 (1998), pp.332-345
- Norbert Grob / Rolf Aurich / Wolfgang Jacobsen (Hg.): Preminger.
Berlin 1999
- Jeff Smith: "Black Faces, White Voices: The Politics of
Dubbing in Carmen Jones." In: The Velvet Light Trap
No.51 (2003), pp.29-42
- John Gibbs / Douglas Pye: "Revisiting Preminger: Bonjour
Tristesse and close reading." In: J.G. / D.P. (Eds.):
Style and meaning: Studies in the detailed analysis of film, Manchester:
UP, 2005, pp.108-126
- Jerold Simmons: "Challenging the Production Code: The
Man with the Golden Arm." In: Journal of Popular Film
& TV 33:1 (2005), pp.39-48
- Foster Hirsch: Otto Preminger. The Man Who Would Be King. New
York: Random House, 2007
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© 2000 – 2008 by Daniel
Kälberer — Last Update: 9.1.2008
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