|
- Dudley Andrew / Paul Andrew: Kenji Mizoguchi. A Guide to References
and Resources. Boston 1981
- Dudley Andrew: "The Passion of Identification in the Late
Films of Kenji Mizoguchi." In: D.A.: Film in the Aura of
Art, Princeton 1984, pp.172-192
- Donald Kirihara: Patterns of Time. Mizoguchi and the 1930s.
Madison: U.of Wisconsin Pr., 1992
- Daniel Serceau: Kenji Mizoguchi. Un art de la condensation.
Frankfurt/M et al.: Peter Lang, 1995
- Dudley Andrew / Carole Cavanaugh: Sansho Dayu. London:
bfi, 2000
- Japanisches Kulturinstitut (Hg.): Die Genealogie der Frauen.
Mizoguchi Kenji. Köln 2000
- Ruth Benner: Der Abgrund hinter den Schleiern. Eine Untersuchung
der späten Filme Kenji Mizoguchis. Alfeld/Leine 2002
- David Bordwell: "Mizoguchi, or Modulation." In: D.B.:
Figures Traced in Light: On Cinematic Staging, Berkeley: U.of
California Pr., 2005 - (essays/books
by D.Bordwell)
- Chika Kinoshita: "In the Twilight of Modernity and the
Silent Film: Irie Takako in The Water Magician."
In: Camera Obscura No.60 (2005), pp.91-127
- Mark Le Fanu: Mizoguchi and Japan. London: bfi, 2005
- Robin Wood: "The Ghost Princess and the Seaweed Gatherer:
Ugetsu Monogatari and Sansho Dayu." In:
R.W.: Personal Views: Explorations in Film. Detroit: Wayne State
UP, 2006new ed.
|
|
