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- Vlada Petric: "Days of Heaven." In: Film
Quarterly 32:2 (1978-79), pp.37-45
- Brian Henderson: "Exploring Badlands." In:
Wide Angle 5:4 (1983), pp.38-51
- James Morrison: "The Thin Red Line." In:
Film Quarterly 53:1 (1999), pp.35-39
- Jimmie E.Cain, Jr.: "»Writing in his musical key«:
Terrence Malick´s Vision of The Thin Red Line."
In: Film Criticism 25:1 (2000), pp.2-24
- Kai Mihm: "Balladen über eine verschwindende Welt.
Terrence Malick als Chronist der amerikanischen Seele." In:
M.Stiglegger (Hg.): Splitter im Gewebe, Mainz 2000, pp.44-58
- Joan McGettigan: "Interpreting a Man´s World: Female
Voices in Badlands and Days of Heaven."
In: Journal of Film and Video 52:4 (2001), pp.33-43
- Hubert Cohen: "The Genesis of Days of Heaven."
In: Cinema Journal 42:4 (2003), pp.46-62
- James Morrison / Thomas Schur: The Films of Terrence Malick.
2003
- Leo Bersani / Ulysse Dutoit: Forms of Being. Cinema, Aesthetics,
Subjectivity. London 2004 (a.o. on The Thin Red Line)
- Michel Chion: The Thin Red Line, London 2004
- Jonathan Bignell: "From detail to meaning: Badlands
(Terence Malick, 1973) and cinematic articulation." In: J.Gibbs
/ D.Pye (Eds.): Style and meaning: Studies in the detailed analysis
of film, Manchester: UP, 2005, pp.42-52
- Hannah Patterson (Ed.): The Cinema of Terrence Malick. Poetic
Visions of America. London Wallflower, 20072
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© 2000 – 2008 by Daniel
Kälberer — Last Update: 12.1.2008
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