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- Julianne Pidduck: "Of windows and country walks: frames
of space and movement in 1990s Austen adaptations." In: Screen
39:4 (1998), pp.381-400 (a.o. on Sense and Sensibility)
- Ellen Cheshire: Ang Lee. London 2001
- William Leung: "Crouching Sensibility, Hidden Sense."
In: Film Criticism 26:1 (2001), pp.42-55 (on Crouching Tiger,
Hidden Dragon)
- Linda Sunshine: Tiger and Dragon. Ein Porträt
des Ang Lee Films. Nürnberg 2001
- Martina Anzinger: Gainsborough Pictures Reframed. Or: Raising
Jane Austen for 1990s Film. A Film-Historic and Film-Analytical
Study of the 1995 Films Sense and Sensibility and Persuasion.
Frankfurt/M etc.: Peter Lang, 2003
- Claudia Liebrand: "Der entwendete Phallus. Ang Lees Crouching
Tiger, Hidden Dragon (2000) - mit einem Exkurs zu David Cronenbergs
M.Butterfly." In: C.L.: Gender-Topographien, Köln
2003, pp.129-160
- Kenneth Chan: "The Global Return of the Wu Xia Pian
(Chinese Sword-Fighting Movie): Ang Lee´s Crouching
Tiger, Hidden Dragon." In: Cinema Journal 43:4 (2004),
pp.3-17
- Christina Klein: "Crouching Tiger, Hidden Dragon:
A Diasporic Reading." In: ibid., pp.18-43
- Stephanie Hemelryk Donald: "The Ice Storm: Ang
Lee, Cosmopolitanism, and the Global Audience." In: G.Elmer
/ M.Gasher (Eds.): Contracting Out Hollywood: Runaway Productions
and Foreign Location Shooting, Lanham/MD: Rowman & Littlefield,
2005
- Stephen Teo: "Wuxia Redux: Crouching Tiger, Hidden
Dragon as a Model of Late Transnational Production."
In: M.Morris et.al. (Eds.): Hong Kong Connections. Durham: Duke
UP, 2006, pp.191-204
- Jeroen de Kloet: "Saved by Betrayal? Ang Lee’s Translations
of `Chinese´ Family Ideology." In: P.Pisters / W.Staat
(Eds.): Shooting the Family. Transnational Media and Intercultural
Values. Amsterdam: UP, 2005, pp.117-132
- Jacobia Dahm: "Trauer: Nicolas Roegs Don´t Look
Now and Ang Lees The Ice Storm." In: S.Marschall
/ F.Liptay (Hg.): Mit allen Sinnen: Gefühl und Empfindung
im Kino, Marburg: Schüren, 2006, pp.241-251
- L.S.Kim: "Making women warriors: a transnational reading
of Asian female action heroes in Crouching Tiger, Hidden Dragon."
In: Jump Cut No.48 (2006)
- Julianne Pidduck: "The transitional cinema of Ang Lee."
In: D.Eleftheriotis / G.Needham (Eds.): Asian Cinemas, Edinburgh:
UP, 2006, pp.393-403
- Eileen Chang / Wang Hui Ling / James Schamus: Lust, Caution.
The Story, the Screenplay, and the Making of the Film. New York:
Random House, 2007
- Whitney Crothers Dilley: The Cinema of Ang Lee. The Other Side
of the Screen. London: Wallflower, 2007
- Film Quarterly 60:3 (2007), pp.20-67: Special Feature on Brokeback
Mountain
- Thomas Koebner / Fabienne Liptay (Hg.): Film-Konzepte No.5:
Ang Lee. München: edition text + kritik, 2007
- Jim Stacy (Ed.): Reading Brokeback Mountain. Essays
on the Story and the Film. Jefferson/NC: McFarland, 2007
- John C.Tibbetts: "`Plains´ Speaking: Sound, Sense,
and Sensibility in Ang Lee´s Ride with the Devil."
In: J.M.Welsh / P.Lev (Eds.): The Literature/Film Reader, Lanham/MD:
Scarecrow, 2007
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© 2000 – 2008 by Daniel
Kälberer — Last Update: 11.1.2008
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