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- Jean-Marc Lalanne et al.: Wong Kar-wai. New York 1997
- Rey Chow: "Nostalgia of the New Wave: Structure in Wong
Kar-wai´s Happy Together." In: Camera Obscura
No.42 (1999), pp.31-49
- Louis Vazquez: "Die Kreativität der Verlorenen im
Angesicht Babylons. Fragmentierung und Großstadt in den
Filmen von Wong Kar-wai." In: M.Stiglegger (Hg.): Splitter
im Gewebe, Mainz 2000, pp.286-301
- Ewa Mazierska / Laura Rascaroli: "Trapped in the Present:
Time in the Films of Wong Kar-Wai." In: Film Criticism 25:2
(2000-01), pp.2-20
- Rey Chow: "Nostalgia of the new wave: structure in Wong
Kar-wai´s Happy Together." In: M.Tinkcom /
A.Villarejo (Eds.): Keyframes: Popular Cinema and Cultural Studies.
London: Routledge, 2001, pp.228-241
- Tsung-Yi Huang: "ChungKing Express: Walking with
a Map of Desire in the Mirage of the Global City." In: Quarterly
Review of Film and Video 18:2 (2001), pp.129-142
- Wimal Dissanayake (with Dorothy Wong): Wong Kar-wai´s
Ashes of Time. HongKong: UP, 2003
- Stephen Teo: Wong Kar-wai. Auteur of Time. London: bfi, 2004
- Peter Brunette: Wong Kar-wai. Urbana: U.of Illinois Pr., 2005
- Cineaste 30:4 (2005), pp.6-17: "Special Focus on Wong Kar-wai."
(With contributions by Paul Arthur, Martha P.Nochimson and Shelly
Kraicer)
- Pam Cook: "Rethinking Nostalgia. In the Mood for Love
and Far from Heaven." In: Screening the Past, London
& New York 2005, pp.1-19
- Cathy Greenhalgh: "How cinematography creates meaning in
Happy Together (Wong Kar-Wai, 1997)." In: J.Gibbs
/ D.Pye (Eds.): Style and meaning: Studies in the detailed analysis
of film, Manchester: UP, 2005, pp.195-213
- Thierry Jousse: Wong Kar-wai. Paris: Cahiers du Cinéma,
2006
- Rüdiger Suchsland / Josef Schnelle: Zeichen und Wunder.
Das Kino von Zhang Yimou und Wong Kar-Wai. Marburg: Schüren,
2006
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