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- Esther C.M.Yau: "Yellow Earth: Western Analysis
and a Non-Western Text." In: Film Quarterly 41:2 (1987-88),
pp.22-33 (also in: D.Eleftheriotis / G.Needham (Eds.): Asian Cinemas,
Edinburgh: UP, 2006, pp.200-218)
- Zhang Jia-xuan: "The Big Parade - Da Juebing."
In: Film Quarterly 43:1 (1989), pp.57-59
- Rey Chow: "Male Narcissism and National Culture: Subjectivity
in Chen Kaige´s King of the Children." In:
Camera Obscura No.25-26 (1991), pp.9-41
- Stephanie Donald: "Women reading Chinese films: between
orientalism and silence." In: Screen 36:4 (1995), pp.325-340
(a.o. on Yellow Earth)
- Jenny Kwok Wah Lau: "Farewell My Concubine: History,
Melodrama, and Ideology in Pan-Chinese Cinema." In: Film
Quarterly 49:1 (1995), pp.16-27
- Ben Xu: "Farewell My Concubine and Its Nativist
Critics." In: Quarterly Review of Film and Video 16:2 (1997),
pp.155-170
- Ying Zhu: "Cinematic Modernization and Chinese Cinema´s
First Art Wave." In: Quarterly Review of Film and Video 18:4
(2001), pp.451-471 (a.o. on Yellow Earth)
- Ning Ma: "Signs of angst and hope: history and melodrama
in Chinese fifth-generation cinema." In: Screen
44:2 (2003), pp.183-199 (a.o. on Farewell My Concubine)
- Brian Hu: "Together." In: Film Quarterly
57:4 (2004), pp.42-47
- Rey Chow: "The Seductions of Homecoming: Place, Authenticity,
and Chen Kaige's Temptress Moon." In: J.F.Codell
(Ed.): Genre, Gender, Race, and World Cinema. Malden/MA: Blackwell,
2006
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