|
|
|
|
|
|
|
- Chris Lippard / Guy Johnson: "Private practice, public
health: the politics of sickness and the films of Derek Jarman."
In: L.Friedman (Ed.): Fires Wer Started: British Cinema and Thatcherism,
London 1993
- Chris Lippard (Ed.): By Angels Driven. The Films of Derek Jarman.
Westport/CT 1996
- Michael O´Pray: Derek Jarman. Dreams of England. London
1996
- Christina Scherer / Guntram Vogt: "Derek Jarman."
In: Augen-Blick No.24 (1996), pp.8-68
- Leo Bersani / Ulysse Dutoit: Caravaggio. London: bfi,
1999
- Tony Peake: Derek Jarman: London 1999
- Daniel Humphrey: "Authorship, history and the dialectic
of trauma: Derek Jarman´s The Last of England."
In: Screen 44:2 (2003), pp.208-215
- James Tweedie: "The suspended spectacle of history: the
tableau vivant in Derek Jarman's Caravaggio." In:
Screen 44:4 (2003), pp.379-403
- Steven Dillon: Derek Jarman and Lyric Film. The Mirror and the
Sea. Austin: U.of Texas Pr, 2004
- Rowland Wymer: Derek Jarman. Manchester: UP, 2005
- Chris Lippard / Guy Johnson: "Private Practice, Public
Health: The Politics of Sickness and the Films of Derek Jarman."
In: L.Friedman (Ed.): Fires Were Started: British Cinema and Thatcherism.
London: Wallflower, 20062
- Candace Volger: "Fourteen Sonnets for an Epidemic: Derek
Jarman´s The Angelic Conversation." In: Public
Culture 18:1 (2006), pp.23-52
- M.Douglas: "Queer Bedfellows: William Blake and Derek Jarman."
In: S.Clark / J.Whittaker (Eds.): Blake, Modernity and Popular
Culture, New York: Palgrave, 2007
- Roger Hallas: "Sound, Image and the Corporeal Implication
of Witnessing in Derek Jarman´s Blue." In:
F.Guerin / R.Hallas (Eds.): The Image and the Witness: Trauma,
Memory and Visual Culture, London: Wallflower, 2007
|
|
© 2000 – 2008 by Daniel
Kälberer — Last Update: 12.1.2008
|
