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Reference Literature on Todd Haynes

  • Roy Grundmann: "How Clean Was My Valley: Todd Haynes's Safe." In: Cineaste 21:4 (1995), pp.22-26
  • K.Burdette: "Queer Readings/Queer Cinema: An Examination of the Early Work of Todd Haynes." In: The Velvet Light Trap No.41 (1998), pp.68-80
  • Gaye Naismith: "Tales from the Crypt: Contamination and Quarantine in Todd Haynes´s Safe." In: P.A.Treichler / L.Cartwright / C.Penley (Eds.): The Visible Woman: Imaging Technologies, Gender, and Science, New York 1998
  • Roddey Reid: "UnSafe at Any Distance: Todd Haynes´ Visual Culture of Health and Risk." In: Film Quarterly 51:3 (1998), pp.32-44
  • Felicia Feaster: "Velvet Goldmine." In: Film Quarterly 53:1 (1999), pp.42-44
  • Glyn Davis: "Health and Safety in the Home: Todd Haynes´ Clinical White World." In: D.Alderson / L.Anderson (Eds.): Territories of Desire in Queer Culture, Manchester: UP, 2000, pp.183-201
  • Sharon Willis: "The Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk." In: Camera Obscura No.54 (2003), pp.131-175 (on Far from Heaven)
  • Camera Obscura No.57 (2004): Todd Haynes: A Magnificent Obsession
  • Gretchen Papazian: "Anorexia Envisioned: Mike Leigh´s Life is Sweet, Chul-Soo Park´s 301/302, and Todd Haynes´s Superstar." In: A.L.Bower (Ed.): Reel Food, New York & London 2004, pp.147-165
  • Danielle Bouchard / Jigna Desai: "»There´s Nothing More Debilitating than Travel«: Locating US Empire in Todd Haynes´ Safe." In: Quarterly Review of Film and Video 22:4 (2005), pp.359-370
  • Pam Cook: "Rethinking Nostalgia. In the Mood for Love and Far from Heaven." In: P.C.: Screening the Past, London & New York 2005, pp.1-19
  • Elena Gorfinkel: "The Future of Anachronism: Todd Haynes and the Magnificent Andersons." In: M.de Valck ( M.Hagener (Eds.): Cinephilia: Movies, Love and Memory, Amsterdam: UP, 2005, pp.153-168
  • James Morrison (Ed.): The Cinema of Todd Haynes. All That Heaven Allows. London: Wallflower, 2006
  • Joan Hawkins: "The Sleazy Pedigree of Todd Haynes." In: J.Sconce (Ed.): Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics. Durham: Duke UP, 2007, pp.189-218
see also:

©  2000 – 2008  by   Daniel Kälberer  —  Last Update:  7.1.2007