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- Richard A. Blake: "The Gangster Film: Scarface."
In: Screening America, Mahwah/NJ 1991, S.128-161
- Hans-Peter Rodenberg: "Der Gangsterfilm und die Depression:
Scarface (1930/32)." In: Fischer Filmgeschichte,
Bd.2, hg.v. W.Faulstich u. H.Korte, Frankfurt/M 1991, S.157-169
- Christopher Orr: "Authorship in the Hawks/Wyler Film, Come
and Get It." In: Wide Angle 6:1 (1984), S.20-27
- Richard B. Jewell: "How Howard Hawks brought Baby Up: An
Apologia for the Studio System." In: Journal of Popular Film
& TV 11:4 (1984), S.158-165 (zu Bringing Up Baby)
- William Rothman: "Howard Hawks and Bringing Up Baby."
In: The `I´ of the Camera. Cambridge: Cambridge U.Pr., 20042,
S.110-121
- Vance Kepley, Jr.: "Added Attraction. Spatial Articulation
in the Classical Cinema. A Scene from His Girl Friday."
In: Wide Angle 5:3 (1983), S.50-58
- Marty Roth: "Slap-Happiness: the Erotic Contract of His
Girl Friday." In: Screen 30:1-2 (1989), S.160ff.
- Marilyn Fabe: "The Conversion to Sound and the Classical
Hollywood Film: Howard Hawks's His Girl Friday."
In: Closely Watched Films: An Introduction to the Art of Narrative
Film Technique, Berkeley 2004
- Annette Kuhn: "The Big Sleep. A Disturbance in
the Sphere of Sexuality." In: Wide Angle 4:3 (1980), S.4-11
- (Texte von A.Kuhn)
- Christopher Orr: "The Trouble with Harry. On the Hawks
Version of The Big Sleep." In: Wide Angle 5:2 (1982),
S.66-71
- Paul Werner: "Scheiternde Helden im Film noir: Tote
schlafen fest (The Big Sleep, 1946)." In: Fischer
Filmgeschichte, Bd.3, hg.v. W.Faulstich u. H.Korte, Frankfurt/M
1990, S.58-79
- David Thomson: The Big Sleep. London 1997
- Stanley Corkin: "Cowboys and Free Markets: Post-World War
II Westerns and the Cold War." In: Cinema Journal 39:3 (2000),
S.66-91 (u.a. zu Red River)
- Suzanne Liandrat-Guigues: Red River. London 2000
- Maureen Turim: "Gentlemen Consume Blondes." In: Wide
Angle 1:1 (1979rev.exp.), S.52-59
- Fiona Handyside: "Beyond Hollywood, into Europe. The tourist
gaze in Gentlemen Prefer Blondes (Hawks, 1953) and Funny
Face (Donen, 1957)." In: Studies in European Cinema
1:2 (2004)
- Robin Wood: Rio Bravo. London 2003
- David L.G.Arnold: "My Rifle, My Pony, and Feathers: Music
and the Making of Men in Howard Hawks´ Rio Bravo."
In: Quarterly Review of Film and Video 23:3 (2006), pp.267-279
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