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Literatur zu einzelnen Filmen von J.Ford

  • Nick Browne: "The Spectator-in-the-Text: The Rhetoric of Stagecoach." In: Film Quarterly 29:2 (1975-76), pp.26-38 (a.in: The Rhetoric of Filmic Narration, Michigan 1982)
  • Richard A.Blake: "The Western: Stagecoach." In: Screening America, Mahwah/NJ 1991, pp.162-204
  • Edward Buscombe: Stagecoach. London 1992
  • Barry Keith Grant (Ed.): John Ford's Stagecoach. Cambridge 2002
  • William Rothman: "Stagecoach and the Quest for Selfhood ." In: The `I´ of the Camera. Cambridge: Cambridge U.Pr., 20042, pp.139-157

  • Marsha Kinder: "The Image of Patriarchal Power in Young Mr. Lincoln (1939) and Ivan the Terrible, Part I (1945)." In: Film Quarterly 39:2 (1985-86), pp.29-48
  • Virginia Wright Wexman: "»Right and Wrong; That´s [Not] All There Is to It!« Young Mr.Lincoln and American Law." In: Cinema Journal 44:3 (2005), pp.20-34

  • Thomas H. Pauly: "Gone With the Wind and The Grapes of Wrath as Hollywood Histories of the Depression." In: Journal of Popular Film & TV 3:3 (1974), pp.202-218
  • Russell Campbell: "The Ideology of the Social Consciousness Movie. Three Films of Darryl F.Zanuck." In: Quarterly Review of Film Studies 3 (Winter 1978), pp.49-71 (u.a. zu The Grapes of Wrath)
  • Lawrence Guntner: "Der `New Deal´ und die Entdeckung der sozialen Wirklichkeit: Früchte des Zorns (The Grapes of Wrath, 1940)." In: W.Faulstich / H.Korte (Hg.): Fischer Filmgeschichte, Bd.2, Frankfurt/M 1991, pp.282-292

  • Matthew Bernstein: "Hollywood´s `Arty Cinema´: John Ford´s The Long Voyage Home." In. Wide Angle 10:1 (1988), pp.30-45

  • Robert Lyons (Ed.): My Darling Clementine. John Ford, director. New Brunswick/NJ: Rutgers UP, 1984
  • Stanley Corkin: "Cowboys and Free Markets: Post-World War II Westerns and the Cold War." In: Cinema Journal 39:3 (2000), pp.66-91
  • Robert Sickels: "All East on the Western Frontier: John Ford´s My Darling Clementine (1946)." In: Film & History 31:1 (2001)
  • Richard Hutson: "John Fords My Darling Clementine (1946)." In: Representations No.84 (2003), pp.166-199

  • Leland Poague: "»All I Can See Is the Flags«: Fort Apache and the Visibility of History." In: Cinema Journal 27:2 (1988), pp.8-26

  • Marshall Deutelbaum: "The Narrative Structure of She Wore a Yellow Ribbon." In: Cinema Journal 19:1 (1979)

  • Peter Lehman: "Looking at Look´s Missing Reverse Shot. Psychoanalysis and Style in John Ford´s The Searchers." In: Wide Angle 4:4 (1981), pp.65-71
  • Arthur M. Eckstein: "Darkening Ethan: John Ford´s The Searchers (1956) from Novel to Screenplay to Screen." In: Cinema Journal 38:1 (1998), pp.3-24
  • James J.Clauss: "Descent into Hell: Mythic Paradigms in The Searchers." In: Journal of Popular Film & TV 27:3 (1999), pp.2-17
  • Edward Buscombe: The Searchers. London 2000
  • Martin W.Winkler: "Tragic Features in John Ford´s The Searchers." In: Classical Myth and Culture in the Cinema, Oxford 2001, pp.118-147
  • Michael F.Blake: Code of Honor. The Making of Three Great Westerns - High Noon, Shane and The Searchers. New York: Taylor, 2003
  • Arthur M.Eckstein / Peter Lehman (Eds.): The Searchers. Essays and Reflections on John Ford's Classic Western. Detroit/MI: Wayne State UP, 2004
  • Richard A.Gilmore: "John Ford's The Searchers as an Allegory of the Philosophical Search." In: Doing Philosophy at the Movies, Albany/NY 2005
  • Christopher Sharrett: "Through a Door Darkly: A Reappraisal of John Ford´s The Searchers." In: Cineaste 31:4 (2006), pp.4-8

  • Frank Manchel: "Losing and Finding John Ford´s Sergeant Rutledge (1960)." In: Historical Journal of Film, Radio and Television 17:2 (1997), pp.245-259
siehe auch:

Literatur über J.Ford

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