|
- Karsten Witte: "Das Leder ist aus Zelluloid. Cruising."
In: Filme Nr.5 (1980), pp.52-54
- Sharon Willis: "Disputed Territories: Masculinity and Social
Space." In: Camera Obscura No.19 (1989), pp.4-22 (a.o. on
To Live and Die in L.A.)
- Joe Carrithers: "The Audience of The Boys in the Band."
In: Journal of Popular Film & TV 23:2 (1995), pp.64-71
- Todd Berliner: "Genre Films as Booby Traps: 1970s Genre
Bending and The French Connection." In: Cinema Journal
40:3 (2001), pp.25-46
- Thomas D.Clagett: William Friedkin. Films of Aberration, Obsession,
and Reality. Jefferson, Los Angeles 20032
- Mark Kermode: The Exorcist. London: bfi, 20032
- Christian Rzechak: "The Exorcist." In: U.Vossen
(Hg.): Filmgenres: Horrorfilm, Stuttgart: Reclam, 2004, pp.188-194
- Tim Jon Semmerling: "The Exorcist: Assault on
American Confidence (1973)." In: T.J.S.: `Evil´ Arabs
in American Popular Film. Austin: U.of Texas Pr, 2006, pp.30-59
- Tim Jon Semmerling: "Rules of Engagement: Attack
from the Multicultural Front (2000)." In: T.J.S.: `Evil´
Arabs in American Popular Film. Austin: U.of Texas Pr, 2006, pp.163-201
|
|
