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Reference Literature on Stephen Frears

  • William Johnson: "The Grifters." In: Film Quarterly 45:1 (1991), pp.33-36
  • Wes D. Gehring: "Hero: Pushing the Capra Envelope." In: Journal of Popular Film & TV 23:1 (1995), pp.36-43
  • Helga Bechmann: Das filmische Universum des Stephen Frears. Genrevielfalt und Erzählkonstanten. Alfeld 1997
  • Heinz Antor: "Contrast, Hybridity, and the Other: Sammy and Rosie Get Laid (1988) as Contemporary Postcolonial Critique." In: G.Rings / R.Morgan-Tamosunas (Eds.): European Cinema: Inside Out, Heidelberg 2003, pp.135-152
  • Anke Detken: "Körperinszenierung, Begehren und Schrift in Stephen Frears´ Dangerous Liaisons." In: O.Jahraus / S.Neuhaus (Hg.): Der erotische Film, Würzburg 2003, pp.89-105
  • Cynthia Lucia: "The Complexities of Cultural Change: An Interview with Stephen Frears." In: Cineaste 28:4 (2003), pp.8-16
  • Alain J.-J.Cohen: "Three Dangerous Liaisons. Letter LXXXI filmed by Vadim, Forman and Frears." In: iris No.30 (2004), pp.55-70
  • Christine Geraghty: My Beautiful Laundrette. London: I.B.Tauris, 2004
  • Susan Torrey Barber: "Insurmountable Difficulties and Moments of Ecstasy: Crossing Class, Ethnic and Sexual Barriers in the Films of Stephen Frears." In: L.Friedman (Ed.): Fires Were Started: British Cinema and Thatcherism. London: Wallflower, 20062
  • Emily S.Davis: "The Intimacies of Globalization: Bodies and Borders On-Screen." In: Camera Obscura No.62 (2006), pp.32-72 (a.o. on Dirty Pretty Things)
see also:

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