|
- William Johnson: "The Grifters." In: Film
Quarterly 45:1 (1991), pp.33-36
- Wes D. Gehring: "Hero: Pushing the Capra Envelope."
In: Journal of Popular Film & TV 23:1 (1995), pp.36-43
- Helga Bechmann: Das filmische Universum des Stephen Frears.
Genrevielfalt und Erzählkonstanten. Alfeld 1997
- Heinz Antor: "Contrast, Hybridity, and the Other: Sammy
and Rosie Get Laid (1988) as Contemporary Postcolonial Critique."
In: G.Rings / R.Morgan-Tamosunas (Eds.): European Cinema: Inside
Out, Heidelberg 2003, pp.135-152
- Anke Detken: "Körperinszenierung, Begehren und Schrift
in Stephen Frears´ Dangerous Liaisons." In:
O.Jahraus / S.Neuhaus (Hg.): Der erotische Film, Würzburg
2003, pp.89-105
- Cynthia Lucia: "The Complexities of Cultural Change: An
Interview with Stephen Frears." In: Cineaste 28:4 (2003),
pp.8-16
- Alain J.-J.Cohen: "Three Dangerous Liaisons. Letter
LXXXI filmed by Vadim, Forman and Frears." In: iris No.30
(2004), pp.55-70
- Christine Geraghty: My Beautiful Laundrette. London:
I.B.Tauris, 2004
- Susan Torrey Barber: "Insurmountable Difficulties and Moments
of Ecstasy: Crossing Class, Ethnic and Sexual Barriers in the
Films of Stephen Frears." In: L.Friedman (Ed.): Fires Were
Started: British Cinema and Thatcherism. London: Wallflower, 20062
- Emily S.Davis: "The Intimacies of Globalization: Bodies
and Borders On-Screen." In: Camera Obscura No.62 (2006),
pp.32-72 (a.o. on Dirty Pretty Things)
|
|