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- Maria Pramaggiore: "Performance and Persona in the U.S.
Avant-Garde: The Case of Maya Deren." In: Cinema Journal
36:2 (1997), pp.17-40
- Bill Nichols (Ed.): Maya Deren and the American Avant-Garde.
Berkeley: U.of California Pr, 2001
- Renata Jackson: The Modernist Poetics and Experimental Film
Practice of Maya Deren, 1917-1961. Lewiston/NY: Edwin Mellen,
2002
- Lauren Rabinovitz: Points of Resistance. Women, Power, and Politics
in the New York Avante-Garde Cinema, 1943-71. Urbana & Chicago
20032
- Catherine Fowler: "Room for experiment: gallery films and
vertical time from Maya Deren to Eija Liisa Ahtila." In:
Screen 45:4 (2004), pp.324-343
- Bruce R.MacPherson (Ed.): Essential Deren. Collected Writings
on Film by Maya Deren. New York: McPherson, 2005
- John Pruitt: "Meshes of the Afternoon: A Model
of Visual Thinking." In: T.Perry (Ed.): Masterpieces of Modernist
Cinema, Bloomington: Indiana UP, 2006, pp.138-158
- Alison Butler: "`Motor-driven metaphysics´: movement,
time and action in the films of Maya Deren." In: Screen 48:1
(2007), pp.1-23
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