|
- Sumiko Higashi: "Ethnicity, Class, and Gender in Film:
DeMille´s The Cheat." In: L.D.Friedman (Ed.):
Unspeakable Images: Ethnicity and the American Cinema, Urbana
1991, pp.112-139
- Constance Balides: "Character as Economics: Fordism, The
Consuming Housewife, and The Cheat." In: J.Fullerton
(Ed.): Celebrating 1895: The Centenary of Cinema, Sydney 1998,
pp.163-171
- Daisuke Miyao: "A Star Is Born: The Transnational Success
of The Cheat and Its Race and Gender Politics."
In: D.M.: Sessue Hayakawa: Silent Cinema and Transnational Stardom.
Durham: Duke UP, 2007, pp.21-49
- Richard Maltby: "The King of Kings and the Czar
of All the Rushes: the propriety of the Christ story." In:
Screen 31:2 (1990), pp.188-212
- Felicia Herman: "»The Most Dangerous Anti-Semitic
Photoplay in Filmdom«: American Jews and The King of
Kings (DeMille, 1927)." In: The Velvet Light Trap No.46
(2000), pp.12-25
- Jacques Doniol-Valcroze: "Samson, Cecil and Delilah."
In: Wide Angle 11:4 (1989), pp.32-41 (Orig.: Cahier du Cinéma,
1951)
- Thomas Kuchenbuch: "Bibel und Geschichte - Zum religiösen
Film: Die zehn Gebote (The Ten Commandments,
1957)." In: W.Faulstich / H.Korte (Hg.): Fischer Filmgeschichte,
Bd.3, Frankfurt/M: Fischer, 1990, pp.299-330
- Mark Vernet: "Wings of the Desert; or, the Invisible Superimpositions".
In: The Velvet Light Trap No.28 (1991), pp.65-72
- Sumiko Higashi: "Antimodernism as Historical Representation
in a Consumer Culture: Cecil B. DeMille´s The Ten Commandments,
1923, 1956, 1993." In: V.Sobchack (Ed.): The Persistence
of History, New York 1996, pp.91-112
|
|
