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- David Sanjek: "Dr.Hobbes´s Parasites: Victims, Victimization,
and Gender in David Cronenberg´s Shivers."
In: Cinema Journal 36:1 (1996), S.55-74
- Ernest Mathijs: "The making of a cult reputation: topicality
and controversy in the critical reception of Shivers."
In: Defining cult movies, hg.v. M.Jancovich u.a., Manchester 2003,
S.109-126
- Julia Köhne: "Männliche Schwangerschaft und weibliche
Penetration: Transmutationen, Shifts und die Figur des Dritten
in David Cronenbergs Shivers." In: Splatter Movies,
hg.v. J.Köhne, R.Kuschke u. A.Meteling, Berlin: Bertz + Fischer,
2005, S.68-88
- Simon Pühler: Metaflesh. Cronenberg mit Lacan. Körpertechnologien
in Shivers und eXistenZ. Berlin: Avinus, 2007
- Steffen Hantke: "Out from the realist underground; or,
the Baron of Blood visits Cannes: recursive and self-reflexive
patterns in David Cronenberg's Videodrome and eXistenZ."
In: R.J.Hand / J.McRoy (Eds.): Monstrous Adaptations: Generic
and Thematic Mutations in Horror Film. Manchester: UP, 2007
- Thomas Doherty: "The Fly." In: Film Quarterly
40:3 (1987), S.38-41
- Barbara Creed: "Phallic panic: male hysteria and Dead
Ringers." In: Screen 31:2 (1990), S.125-146
- Dan Thu Nguyen: "The `Projectile´ Movie Revisited:
The Female Body in Track 29 and Dead Ringers."
In: Film Criticism 14:3 (1990), pp.39-54
- Karen Jaehne: "David Cronenberg on William Burroughs: Dead
Ringers Do Naked Lunch." In: Film Quarterly
45:3 (1992), S.2-6
- Sylvestre Meininger: "Faux-semblants: masochisme masculin
et politique des auteurs." In: iris Nr.26 (1998), S.65-81
(zu Dead Ringers)
- Karen Jaehne: "David Cronenberg on William Burroughs: Dead
Ringers Do Naked Lunch." In: Film Quarterly
45:3 (1992), S.2-6
- Jonathan Rosenbaum: "Two Forms of Adaptation: Housekeeping
and Naked Lunch." In: J.Naremore (Ed.): Film Adaptation.
London: Athlone, 2000, pp.206-220
- Steffen Hantke: "Genre and authorship in David Cronenberg's
Naked Lunch." In: R.B.Palmer (Ed.): Twentieth-Century
American Fiction on Screen, Cambridge: UP, 2007
- Asuman Suner: "Postmodern Double-Cross. Reading David Cronenberg´s
M.Butterfly as a Horror Story." In: Cinema Journal
37:2 (1998), S.49-64
- Leighton Grist: "»It´s Only a Piece of Meat«:
Gender Ambiguity, Sexuality, and Politics in The Crying Game
and M.Butterfly." In: Cinema Journal 42:4 (2003),
S.3-28
- Eva Warth: "Eye/Identity. Blickstrukturen in Filmen der
90er Jahre." In: wo/man. Kino und Identität, hg.v. C.Rüffert,
I.Schenk u.a., Berlin 2003, S.65-80 (u.a. zu M.Butterfly)
- Gina Marchetti: "From Fu Manchu to M.Butterfly
and Irma Vep: Cinematic Incarnations of Chinese Villainy."
In: Bad: Infamy, Darkness, Evil, and Slime on Screen, hg.v. M.Pomerance,
Albany/NY 2004, S.187-200
- Roy Grundmann: "Plight of the Crash Fest Mummies: David
Cronenberg's Crash." In: Cineaste 22:4 (1997), S.24-27
- Iain Sinclair: Crash. London 1999
- Roberta Jill Craven: "Ironic Empathy in Cronenberg´s
Crash: The Psychodynamics of Postmodern Displacement
from a Tenuous Reality." In: Quarterly Review of Film and
Video 17:3 (2000), S.187-209
- Martin Barker, Jane Arthurs u. Ramaswami Harindranath: The Crash
Controversy. A Case-Study in Censorship Campaigns and Film Reception.
London 2001
- Christine Cornea: "David Cronenberg´s Crash
and Performing Cyborgs." In: The Velvet Light Trap Nr.52
(2003), S.4-14
- David Lavery: "From Cinescape to Cyberspace: Zionists and
Agents, Realists and Gamers in The Matrix and eXistenZ."
In: Journal of Popular Film & TV 28:4 (2000-01), S.150-157
- Lia M.Hotchkiss: "»Still in the Game«: Cybertransformations
of the `New Flash´ in David Cronenberg´s eXistenZ."
In: The Velvet Light Trap Nr.52 (2003), S.15-32
- Murray Pomerance: "Neither Here Nor There: eXistenZ
as `Elevator Film´." In: Quarterly Review of Film and
Video 20:1 (2003), S.1-14
- Steffen Greschonig / Vitezslav Horák: "«Sagt
mir Die Wahrheit! Sind wir immer noch im Spiel?» Zur Anthropologie,
Ökonomie und Ontologie in David Cronenbergs eXistenZ."
In: Kino der Lüge, hg.v. K.Kratochwill u. A.Steinlein, Bielefeld
2004, S.135-152
- Shehan Bonatz: Reality perception, identity and violence in
American film. A study of David Lynch´s Lost Highway
and David Cronenberg´s eXistenZ. Berlin 2005
- Steffen Hantke: "Out from the realist underground; or,
the Baron of Blood visits Cannes: recursive and self-reflexive
patterns in David Cronenberg's Videodrome and eXistenZ."
In: R.J.Hand / J.McRoy (Eds.): Monstrous Adaptations: Generic
and Thematic Mutations in Horror Film. Manchester: UP, 2007
- Simon Pühler: Metaflesh. Cronenberg mit Lacan. Körpertechnologien
in Shivers und eXistenZ. Berlin: Avinus, 2007
- Maurice Lahde: "Den Wahn erlebbar machen. Zur Inszenierung
von Halluzinationen in Ron Howards A Beautiful Mind und
David Cronenbergs Spider." In: J.Helbig (Hg.): »Camera
doesn´t lie«: Spielarten erzählerischer Unzuverlässigkeit
im Film, Trier: WVT, 2006, pp.43-72
- Fabienne Liptay: "Sinn´ es noch einmal, Spider! Ambiguität
als Voraussetzung für die doppelte Filmlektüre am Beispiel
von David Cronenbergs Spider." In: J.Helbig (Hg.):
»Camera doesn´t lie«, Trier: WVT, 2006, pp.189-223
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