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- Harvey Greenberg: "The Piano." In: Film Quarterly
47:3 (1994), pp.48-50
- Christiane Peitz: "Identifikation einer Frau. Das Kino
der Jane Campion." In: C.P.: Marilyns starke Schwestern.
Frauenbilder im Gegenwartskino. Hamburg 1995, pp.99-159
- Screen 36:3 (1995), pp.257-286: The Piano-Debate (articles
by Stella Bruzzi, Lynda Dyson and Sue Gillett)
- Cyndy Hendershot: "(Re)Visioning the Gothic: Jane Campion´s
The Piano." In: Literature/Film Quarterly 26:2 (1998)
- Felicity Coombs / Suzanne Gemmell (Eds.): Piano Lessons. Approaches
to The Piano. Sydney 1999
- Virginia Wright Wexman (Ed.): Jane Campion: Interviews. Jackson
1999
- Elisa Bussi: "Voyages and Border Crossings: Jane Campion´s
The Piano." In: W.Everett (Ed.): The Seeing Century:
Film, Vision, and Identity. Amsterdam: Rodopi, 2000, pp.161-173
- Ellen Cheshire: Jane Campion. Harpenden 2000
- Harriet Margolis (Ed.): Jane Campion´s The Piano.
Cambridge: UP, 2000
- Mark A.Reid: "A Few Black Keys and Maori Tattoos: Re-Reading
Jane Campion´s The Piano in Post-Negritude Time."
In: Quarterly Review of Film and Video 17:2 (2000), pp.107-116
- Davinia Thornley: "Duel or Duet? Gendered Nationalism in
The Piano." In: Film Criticism 24:3 (2000), pp.61-76
- Dana Polan: Jane Campion. London 2002
- Rebecca M.Gordon: "Portraits Perversely Framed. Jane Campion
and Henry James." In: Film Quarterly 56:2 (2002-03), pp.14-24
- Maria Margaroni: "Jane Campion´s Selling of the Mother/Land:
Restaging the Crisis of the Postcolonial Subject." In: Camera
Obscura No.53 (2003), pp.93-123 (on The Piano)
- Jaime Bihlmeyer: "The (Un)Speakable FEMININITY in Mainstream
Movies: Jane Campion´s The Piano." In: Cinema
Journal 44:2 (2005), pp.68-88
- Douglas Park / Dawn Dietrich: "In the Cut."
In: Film Quarterly 58:4 (2005), pp.39-46
- Stephan Schoenholtz: "Maoriland und Mittelerde. Neuseeländische
Landschaften in The Piano und The Lord of the Rings."
In: Augenblick Nr.37 (2005), pp.111-125
- Barbara Klinger: "The art film, affect and the female viewer:
The Piano revisited." In: Screen 47:1 (2006), pp.19-42
- Laurence Raw: "Jane Campion's The Portrait of a Lady
(1996)." In: L.R.: Adapting Henry James to the Screen: Gender,
Fiction, and Film, Lanham/MD: Scarecrow, 2006
- Michel Chion: "Mute Music: Polanski's The Pianist
and Campion's The Piano." In: D.Goldmark / L.Kramer
/ R.Leppert (Eds.): Beyond the Soundtrack. Representing Music
in Cinema. Berkeley: U.of California Pr., 2007
- Harriet Margolis / Janet Hughes: "Jane Campion's The
Portrait of a Lady." In: R.B.Palmer (Ed.): Nineteenth-Century
American Fiction on Screen, Cambridge: UP, 2007
- Kathleen McHugh: Jane Campion. Urbana: U.of Illinois Pr., 2007
- Liz Watkins: "The (Dis)Articulation of Colour: Cinematography,
Femininity, and Desire in Jane Campion’s In the Cut."
In: W.Everett (Ed.): Questions of Colour in Cinema, Frankfurt/M
etc.: Peter Lang, 2007, pp.197-215
- Candida Yates: "The Piano: A Feminine Narrative
of Masculine Jealousies." In: C.Y.: Masculine Jealousy and
Contemporary Cinema, New York: Palgrave, 2007
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© 2000 – 2008 by Daniel
Kälberer — Last Update: 9.1.2008
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