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Reference Literature on James Cameron´s Movies

  • Margaret Goscilo: "Deconstructing The Terminator." In: Film Criticism 12:2 (1987-88), pp.37-52
  • Thomas Oberender: Zwischen Mensch und Maschine. Reflexionen über James Camerons Film Terminator 2 im Lichte der Philosophie von J.-F.Lyotard. Siegen 1993
  • Sean French: The Terminator. London 1996
  • Doran Larson: "Machine as Messiah: Cyborgs, Morphs, and the American Body Politic." In: Cinema Journal 36:4 (1997), pp.57-75 (on Terminator 2)
  • A.Samuel Kimball: "Conceptions and Contraceptions of the Future: Terminator 2, The Matrix, and Alien Resurrection." In: Camera Obscura No.50 (2002), pp.41-67
  • Sandra Rausch: "Männer darstellen/herstellen. Gendered Action in James Camerons Terminator 2." In: C.Liebrand / I.Steiner (Hg.): Hollywood hybrid, Marburg 2004, pp.234-263
  • Richard A.Gilmore: "Oedipus Techs: Time Travel as Redemption in The Terminator and 12 Monkeys." In: R.A.G.: Doing Philosophy at the Movies, Albany/NY 2005
  • Syd Field: Four Screenplays. Studies in the American Screenplay. New York: Random House, 2006 (a.o. on Terminator 2)
  • William Whittington: "Mixing Man and Machine in Terminator 2: Judgment Day." In: W.W.: Sound Design and Science Fiction. Austin: U.of Texas Pr, 2007

  • Harvey R.Greenberg: "Fembo: Aliens´ Intentions." In: Journal of Popular Film & TV 15:4 (1988), pp.164-171
  • Lutz Döring: Erweckung zum Tod. Eine kritische Untersuchung zu Funktionsweise, Ideologie und Metaphysik der Horror- und Science-Fiction Filme Alien 1-4. Würzburg: Königshausen & Neumann, 2006
  • Jason Smith / Ximena Gallardo-C.: Alien Woman. The Making of Lt. Ellen Ripley. London & New York: Continuum, 2006
  • Vera Cuntz: Kalkulierter Schrecken. Standardsituationen in der Alien-Filmreihe. Remscheid: gardez, 2007
  • Walter Rankin: "Mother of the Pride. `Cinderella´ and Aliens." In: W.R.: Grimm Pictures: Fairy Tale Archetypes in Eight Horror and Suspense Films. Jefferson/NC: McFarland, 2007, pp.100-117

  • Regina Heilmann: "Achämenidische Flügelstiere als Apokalyptische Reiter und Trojanische Pferde. Zur postmodernen Rezeption einer antiken Kunstgattung am Beispiel von James Camerons True Lies." In: M.Lindner (Hg.): Drehbuch Geschichte: Die antike Welt im Film, Münster: LIT, 2005, pp.105-123

  • Peter Krämer: "Women First. Titanic (1997), action-adventure films and Hollywood‘s female audience." In: Historical Journal of Film, Radio and Television 18:4 (1998), pp.599-618
  • Peter N.Chumo II: "Learning to Make Each Day Count: Time in James Cameron´s Titanic." In: Journal of Popular Film & TV 26:4 (1998-99), pp.158-165
  • David M.Lubin: Titanic. London 1999
  • Kevin S.Sandler / Gaylyn Studlar (Eds.): Titanic. Anatomy of a Blockbuster. New Brunswick 1999
  • Robert von Dassanowsky: "A Mountain of a Ship: Locating the Bergfilm in James Cameron´s Titanic." In: Cinema Journal 40:4 (2001), pp.18-35
  • Todd F.Davis / Kenneth Womack: "Narrating the Ship of Dreams: The Ethics of Sentimentality in James Cameron´s Titanic." In: Journal of Popular Film & TV 29:1 (2001), pp.42-48
  • Lori Liggett: "Maiden Voyage: From Edwardian Girl to Millennial Woman in Titanic." In: F.Gateward / M.Pomerance (Eds.): Sugar, Spice, and Everything Nice, Detroit 2002, pp.183-200
  • Hermann Kappelhoff: "Titanic." In: J.Felix (Hg.): Moderne Film Theorie, Mainz 20032, pp.160-167
  • Gillian Roberts: "Circulations of taste: Titanic, the Oscars, and the middlebrow." In: J.Stringer (Ed.): Movie Blockbusters, London 2003, pp.155-166
  • Steven J.Zani: "Traumatic Disaster and Titanic Recuperation: Popular/Historical Representations of the Titanic." In: Journal of Popular Film & TV 31:3 (2003), pp.125-131
  • Tim Bergfelder / Sarah Street (Eds.): The Titanic in Myth and Memory. Representations in Visual and Literary Culture. London: I.B.Tauris, 2004
see also:

on James Cameron

©  2000 – 2008  by   Daniel Kälberer  —  Last Update:  8.1.2008