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Reference Literature on Kenneth Branagh

  • Marcia Landy / Lucy Fischer: "Dead Again or A-Live Again: Postmodern or Postmortem?" In: Cinema Journal 33:4 (1994), pp.3-22
  • Ian Shuttleworth: Ken & Em. The Biography of Kenneth Branagh and Emma Thompson. London 1994
  • Celestino Deleyto: "Men in Leather: Kenneth Branagh´s Much Ado About Nothing and Romantic Comedy." In: Cinema Journal 36:3 (1997), pp.91-105
  • Matthias Kettner: "Eine Projektion der Moderne: Mary Shelleys Frankenstein." In: L.Nagl (Hg.): Filmästhetik, Berlin & Wien 1999, pp.268-299
  • Samuel Crowl: "Flamboyant realist: Kenneth Branagh." In: R.Jackson (Ed.): The Cambridge Companion to Shakespeare on Film, Cambridge 2000, pp.222-238
  • Richard Schoch: "`Bright particular stars´: Kenneth Branagh, Emma Thompson, and William Shakespeare." In: B.Babington (Ed.): British stars and stardom, Manchester 2001
  • Katja Abelein: Hamlet. Verfilmungen 1990-2000: Almereyda - Branagh - Zeffirelli. Heidelberg 2003
  • Nick Cox: "Kenneth Branagh: Shakespearean film, cultural capital and star status." In: A.Willis (Ed.): Film Stars: Hollywood and Beyond, Manchester 2004
  • Samuel Crowl: Shakespeare at the Cineplex. The Kenneth Branagh Era. Athens/OH 2004
  • Michael Meyer: "Frankenstein (1994): Monströse Transformationen in Text und Film." In: O.Jahraus / S.Neuhaus (Hg.): Der fantastische Film. Würzburg: Königshausen & Neumann, 2005, pp.129-144
  • Samuel Crowl: The Films of Kenneth Branagh. Westport: Praeger, 2006
  • Ina Rae Hark: "Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal." In: D.Boyd / R.B.Palmer (Eds.): After Hitchcock: Influence, Imitation, and Intertextuality, Austin: U.of Texas Pr, 2006
  • Gudrun Minnich: "Mary Shellys Frankenstein von Kenneth Branagh (1994)." In: L.Wohlrab (Hg.): Filme auf der Couch: Psychoanalytische Interpretationen, Gießen: Psychosozial-Verlag, 2006, pp.145-156
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©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  8.1.2007