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Reference Literature on Kathryn Bigelow

  • Anna Powell: "Blood on the borders: Near Dark and Blue Steel." In: Screen 35:2 (1994), pp.136-156
  • Nedeeya Islam: "»I Wanted to Shoot People« - Genre, Gender and Action in the Films of Kathryn Bigelow." In: L.Jayamanne (Ed.): Kiss Me Deadly: Feminism and Cinema for the Moment, Sydney: Power Publ., 1995, pp.91-125
  • Laura Rascaroli: "Steel in the gaze: on POV and the discourse of vision in Kathryn Bigelow´s cinema." In: Screen 38:3 (1997), pp.232-246
  • Christina Lane: "From The Loveless to Point Break: Kathryn Bigelow´s Trajectory in Action." In: Cinema Journal 37:4 (1998), pp.59-81
  • Wolf Kienast / Wolfgang Struck: Körpereinsatz - Das Kino der Kathryn Bigelow. Marburg 1999
  • Mark Berrettini: "Can `We All´ Get Along? Social Difference, the Future, and Strange Days." In: Camera Obscura No.50 (2002), pp.155-189
  • Brian Carr: "Strange Days and the Subject of Mobility." In: Camera Obscura No.50 (2002), pp.191-217
  • Deborah Jermyn / Sean Redmond (Eds.): The Cinema of Kathryn Bigelow. Hollywood Transgressor. London: Wallflower, 2003
  • Eva Warth: "Eye/Identity. Blickstrukturen in Filmen der 90er Jahre." In: C.Rüffert / I.Schenk et al (Hg.): wo/man: Kino und Identität, Berlin 2003, pp.65-80 (u.a. zu Strange Days)
  • Barry Keith Grant: "Man´s Favourite Sport?: The Action Films of Kathryn Bigelow." In: Y.Tasker (Ed.): Action and Adventure Cinema, London 2004, pp.371-384
  • Franziska Haller: "Blue Steel - Die geopferte Heldin, oder: Warum Megan Turner einfach nicht glücklich werden kann." In: Screening Gender: Geschlechterkonstruktionen im Kinofilm. Freiburger FrauenStudien Nr.14 (2004), pp.69-90
  • Jeffrey Middents: "»This Is Not Film«: Ef/facing the Screen in Kathryn Bigelow's Strange Days." In: Femspec 5:1 (2004), pp.95-113
  • Pam Cook: "Fictions of Identity. Style, mimicry and gender in the films of Kathryn Bigelow." In: P.C.: Screning the Past, London & New York 2005, pp.228-240
  • Paul Gormley: "Trashing Whiteness: Pulp Fiction, Se7en, Strange Days and Articulating Affect." In: P.G.: The New-Brutality Film, Bristol/UK: Intellect, 2005, pp.159-182
see also:

©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  8.1.2007