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Film." In: Wide Angle 1:3 (1976), S.38-47
- mit David Bordwell: "Space and Narrative in the Films of
Ozu." In: Screen 17:2 (1976), S.41-73
- "Notes on the Spatial System of Ozu´s Early Films."
In: Wide Angle 1:4 (1977), S.8-18
- "Ivan the Terrible and Stalinist Russia: A Reexamination."
In: Cinema Journal 17:1 (1977), S.30-43
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Hulot." In: Wide Angle 2:1 (1977), S.22-31
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Wide Angle 3:2 (1979), S.18-25
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- Eisensteinīs Ivan the Terrible. A Neoformalist Analysis.
Princeton 1981
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In: Iris Nr.1 (1983), S.39-49
- mit D.Bordwell: "Linearity, Materialism
and the Study of the Early American Cinema." In: Wide Angle 5:3
(1983), S.4-15
- Exporting Entertainment. America in the World Film Market 1907-1934.
London 1985
- mit D.Bordwell u. J.Staiger:
The Classical Hollywood Cinema. Film Style and Mode of Production
to 1960. New York 1985
- mit D.Bordwell: "Toward a Scientific
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In: Les premiers ans du cinema français, hg.v. P.Guibbert,
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Apparatus, Ideology, hg.v. Ph.Rosen, New York: Columbia U.Pr.,
1986, S.130-142
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In: The Velvet Light Trap Nr.22 (1986)
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Co. of America, hg.v. P.Cherchi Usai, Pordenone 1987, S.241-278
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History on/and/in Film, hg.v. T.O´Regan u. B.Shoesmith.
Perth 1987, S.45-56
- "The Ermolieff Group in Paris: Exile, Impressionism, Internationalism."
In: Griffithiana Nr.35/36 (1989), S.50-57
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the Twenties." In: Before Caligari, hg.v. P.C.Usai u. L.Codelli,
Pordenone 1990 (dt. in: Kino der Kaiserzeit, hg.v. T.Elsaesser
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- Wooster Proposes, Jeeves Disposes, or Le Mot Juste.
New York 1992
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York 1993, S.109-141
- "Report of the Ad Hoc Committee of the Society for Cinema
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In: Cinema Journal 32:2 (1993), S.3-20
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implications for Europe´s avant-gardes." In: Film History
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- (Hg.): The Studio System. New Brunswick 1995
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J-C.Horak (Ed.): Lovers of Cinema: The First American Avant-Garde,
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In: montage/av 4/1 (1995), S.23-62
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In: A Second Life. German Cinema´s First Decades, hg.v.
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the 1920s." In: Film History 8:3 (1996), S.281-296
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Kuleshov experiment: a dossier." In: Film History 8:3 (1996),
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Day." In: Zeit, Schnitt, Raum, hg.v. A.Rost, Frankfurt/M
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Three Vitagraph shorts." In: Film History 9:4 (1997), S.410-434
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Celebrating 1895. The Centenary of Cinema, hg.v. J.Fullerton,
Sydney 1998, S.225-238
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and Criticism, hg.v. L.Braudy u. M.Cohen, New York 1998, S.487-498
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Technique. Cambridge, London 1999
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- "Lubitsch, acting and the silent romantic comedy."
In: Film History 13:4 (2001), S.390-408
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Introduction. Boston 20032
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the Rings and Modern Hollywood." In: The Velvet Light
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- Herr Lubitsch goes to Hollywood. German and American Film after
World War I. Amsterdam 2005
- with D.Bordwell: "'National
Cinemas, Hollywood Classicism, and World War 1, 1913-1919."
In: J.D.Slocum (Ed.): Hollywood and War: A Film Reader, London
& New York: Routledge, 2006
- The Frodo Franchise: The Lord of the Rings and Modern
Hollywood. Berkeley: U.of California Pr., 2007
- with D.Bordwell: Film Art - An Introduction.
New York: McGraw-Hill, 20088
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