Fachinformation Filmwissenschaft





Home

Aktuelle Themen

Personen

Stichworte

Schlagwortregister

Links

Kontakt



Texte von Janet Staiger

  • mit D.Gomery: "The History of World Cinema: Models for Economic Analysis." In: Film Reader 4 (1979)
  • "Dividing Labor for Production Control: Thomas Ince and the Rise of the Studio System." In: Cinema Journal 18:2 (1979), S.16-25
  • "Mass-Produced Photoplays. Economic and Signifying Practices in the First Years of Hollywood." In: Wide Angle 4:3 (1980), S.12-27
  • "Seeing Stars." In: The Velvet Light Trap Nr.20 (1983), S.10-15
  • "Individualism versus Collectivism." In: Screen 24:4-5 (1983), S.68-79
  • "`Tame´ Authors and the Corporate Laboratory: Stories, Writers and Scenarios in Hollywood." In: Quarterly Review of Film Studies 8:4 (1983), S.33-46
  • "Theorist, yes, but what of? Bazin and History." In: Iris 2:2 (1984), S.99-109
  • "Combination and Litigation. Structures of US Film Distribution, 1891-1917." In: Cinema Journal 23:2 (1984), S.41-72
  • "The Eyes are Really the Focus. Photoplay Acting and Film Form and Style." In: Wide Angle 6:4 (1985), S.14-23
  • mit D.Bordwell und K.Thompson: The Classical Hollywood Cinema. Film Style and Mode of Production to 1960. New York 1985
  • "The Politics of Film Canons." In: Cinema Journal 24:3 (1985), S.4-23
  • "The Handmaiden of Villainy. Methods and Problems in Studying the Historical Reception of a Film." In: Wide Angle 8:1 (1986)
  • "Mass-Produced Photoplays: Economic and Signifying Practices in the First Years of Hollywood." In: The Hollywood Film Industry, hg.v.P.Kerr. London 1986
  • "Class, Ethnicity, and Gender. Explaining the Development of Early American Film Narrative." In: Iris Nr.11 (1990), S.13-25
  • "Announcing Wares, Winning Patrons, Voicing Ideals. Thinking about the History and Theory of Film Advertising." In: Cinema Journal 29:3 (1990), S.3-31
  • Interpreting Films. Studies in the Historical Reception of American Cinema. Princeton 1992
  • "Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre." In: Classical Hollywood Narrative, hg.v. J.Gaines, Durham 1992, S.107-127
  • "Taboo and Totem: Cultural Meanings of The Silence of the Lambs." In: Film Theory Goes to the Movies, hg.v. J.Collins, H.Radner u. A.P.Collins, London 1993, S.142-154
  • Bad Women. The Regulation of Female Sexuality in Early American Cinema, 1907-1915. Minneapolis 1995
  • "The Pleasures and Profits of a Postmodern Film Historiography." In: Norsk medietidsskrift Nr.2 (1995)
  • "Cinematic Shots: the Narration of Violence." In: The Persistence of History, hg.v. V.Sobchack, New York 1996, S.39-54
  • "Das Starsystem und der klassische Hollywoodfilm." In: Der Star - Geschichte, Rezeption, Bedeutung, hg.v.W.Faulstich u. H.Korte. München 1997, S.48-59
  • "Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre Theory." In: Film Criticism 22:1 (1997)
  • "Future Noir: Contemporary Representations of Visionary Cities." In: Alien Zone II, hg.v. A.Kuhn, London & New York 1999, S.97-122
  • "Finding Community in the Early 1960s: Underground Cinema and Sexual Politics." In: H.Radner / M.Luckett (Eds.): Swinging Single: Representing Sexuality in the 1960s, Minneapolis: U.of Minnesota Pr, 1999
  • Blockbuster TV. Must-See Sitcoms in the Network Era. New York, London 2000
  • Perverse Spectators. The Practices of Film Reception. New York, London 2000
  • "The Perversity of Spectators: Expanding the History of the Classical Hollywood Cinema." In: Moving Images, Culture and the Mind, hg.v. I.Bondebjerg, Luton 2000, S.19-30
  • "Writing the History of American Film Reception." In: Hollywood Spectatorship, hg.v. M.Stokes u. R.Maltby, London 2001, S.19-32
  • "The Future of the Past." In: Cinema Journal 44:1 (2004), S.126-129
  • "Authorship Studies and Gus Van Sant." In: Film Criticism 29:1 (2004), S.1-22
  • Media Reception Studies. New York: UP, 2005
  • "Waren anpreisen, Kunden gewinnen, Ideale verkünden. Nachdenken über Geschichte und Theorie der Filmwerbung." In: Demnächst in Ihrem Kino. Grundlagen der Filmwerbung und Filmvermarktung, hg.v. V.Hediger u. P.Vonderau, Marburg: Schüren, 2005
  • (Guest Ed.): Special Double Issue of Film Criticism 31:1-2 (2006) on Complex Narratives
©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  24.4.2007