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Texte von Charles Musser

  • "The Early Cinema of Edwin Porter." In: Cinema Journal 19:1 (1979), pp.1-38
  • "Les débuts d´Edwin S.Porter." In: Les Cahiers de la Cinémathèque No.29 (1979), pp.127-151
  • "The Eden Musee in 1898: The Exhibitor as Creator." In: Film & History 11:4 (1981), pp.73-83
  • "American Vitagraph: 1897-1901." In: Cinema Journal 22:3 (1983), pp.4-46
  • "The Nickelodeon Era Begins. Establishing the Foundations for Hollywood´s Mode of Representation." In: Framework No.22/23 (1983) - dt. in: KINtop - Jahrbuch zur Erforschung des frühen Films, Band 5. Basel, Frankfurt/M 1996, S.13-35
  • "Towards a History of Screen Practice." In: Quarterly Review of Film Studies 9:1 (1984), pp.59-69
  • "The Travel Genre in 1903-1904: Moving Toward Fictional Narrative." In: Iris 2:1 (1984), pp.47-60
  • "Another Look at the `Chaser Theory´." In: Studies in Visual Communication 10:4 (1984), pp.24-44
  • Thomas Edison Papers. A Guide to Motion Picture Catalogues by American Producers and Distributors, 1894-1908. Frederick/MD 1985
  • with Jay Leyda (Eds.): Before Hollywood. Turn-of-the-Century American Film. New York 1987
  • "Vitagraph 1901-1905. Gli anni dimenticati." In: P.Ch.Usai (Ed.): Vitagraph Co. of America, Pordenone 1987, pp.87-102
  • "Work, Ideology and Chaplin´s Tramp." In: Radical History Review No.41 (1988)
  • The Emergence of Cinema. The American Screen to 1907. Berkeley, New York 1990 (History of the American Cinema 1)
  • with Robert Sklar (Eds.): Resisting Images: Essays on Cinema and History. Philadelphia: Temple UP, 1990
  • Before the Nickelodeon. Edwin S.Porter and the Edison Manufacturing Company. Berkeley 1991
  • "Ethnicity, roleplaying, and American film comedy: from Chinese Laundry Scene to Whoopee (1894-1930)." In: L.Friedman (Ed.): Unspeakable Images, Urbana/Il 1991, pp.39-81
  • "Passions and the passion play: theatre, film and religion in America, 1880-1900." In: Film History 5:4 (1993), pp.419-456
  • "On `Extras´, Mary Pickford, and the Red-Light Film. Filmmaking in the United States, 1913." In: Griffithiana No.50 (1994), pp.149-175
  • "Rethinking Early Cinema: Cinema of Attractions and Narrativity." In: Yale Journal of Criticism 7:2 (1994), pp.203-232
  • "Divorce, DeMille amd the Comedy of Remarriage." In: H.Jenkins / K.B.Karnick (Eds.): Classical Hollywood Comedy, New York 1995
  • Edison Motion Pictures, 1890-1900. An Annotated Filmography. Washington 1997
  • "Respektabilität und Aktualität. Gedanken zum kulturellen Stellenwert von Edisons Filmen in der Kinetoskop-Ära." In: KINtop - Jahrbuch zur Erforschung des frühen Films, Bd.6. Basel, Frankfurt/M 1997, S.67-79
  • "Nationalism and the Beginnings of Cinema: The Lumière cinèmatographe in the US, 1896-1897." In: Historical Journal of Film, Radio and Television 19:2 (1999), pp.149-176
  • "Noël Burch, Film Practice und das Studium des frühen Kinos – eine persönliche Erinnerung." In: KINtop Nr.12 (2003), S.87-90
  • "The Devil's Parody: Horace McCoy's Appropriation and Refiguration of Two Hollywood Musicals." In: R.Stam / A.Raengo (Eds.): A Companion to Literature and Film, London & New York 2004
  • "Towards a history of theatrical culture: imagining an integrated history of stage and screen." In: J.Fullerton (Ed.): Screen Cultures, Sydney 2004
  • "Historiographic Method and the Study of Early Cinema." In: Cinema Journal 44:1 (2004), pp.101-107
  • "The Hidden and the Unspeakable: On Theatrical Culture, Oscar Wilde and Ernst Lubitsch’s Lady Windermere’s Fan." In: Film Studies No.4 (2004), pp.12-46
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