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Texte von Richard Maltby

  • "The political economy of Hollywood: the studio system." In: Cinema, Politics and Society in America, ed. by P.Davies u. B.Neve. New York 1981, S.42-58
  • "Made for each other. The Melodrama of Hollywood and the House Committee on Un-American Activities, 1947." In: Cinema, Politics and Society in America, ed. by Ph.Davies u. B.Neve. New York 1981, S.79-96
  • Harmless Entertainment. Hollywood and the Ideology of Concensus. Metuchen/NJ 1983
  • "Film Noir: The Politics of the Maladjusted Text." In: Journal of American Studies 18:1 (1984), S.49-71
  • "`Baby Face´ or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash." In: Screen 27:2 (1986), S.22-45
  • "American Media and the Denial of History." In: The United States: A Companion to American Studies, hg.v. D.Welland, London 19872, S.490-5170
  • (Hg.): Dreams for Sale. Popular Culture in the Twentieth Century. London 1989
  • "The King of the Kings and the Czar of All The Rushes: The Propriety of the Christ Story." Screen 31:2 (1990), S.188-213
  • "A Short and Dangerous Life. The Gangster Film, 1930-1932." In: Prima Dei Codici, Venedig 1991
  • "John Ford and the Indians; or, Tom Doniphon´s History Lesson." In: Representing Others: White Views of Indigenous Peoples, ed.by Mick Gidley. Exeter 1992
  • "`To Prevent the Prevalent Type of Book´. Censorship and Adaptation in Hollywood, 1924-1934." In: American Quarterly 44:4 (1992)
  • "`Grief in the Limelight´. Al Capone, Howard Hughes, the Hays Code and the Politics of the Unstable Text." In: Movies and Politics: The Dynamic Relationship, ed. by J.Combs. New York, London 1993, S.133.182
  • "The Production Code and the Hays Office." In: Grand Design, ed. by T.Balio, New York 1993, S.37-72
  • "The Social Evil, the Moral Order and the Melodramatic Imagination, 1890-1915." In: Melodrama. Stage, Picture, Screen, J.Bratton, P.Cook u. C.Gledhill, London 1994, S.214-230
  • mit Kate Bowles: "Hollywood: The Economics of Utopia." In: The United States in the Twentieth Century: Culture, hg.v. J.Mitchell u. R.Maidment, London 1994, S.99-134
  • mit Ian Craven: Hollywood Cinema. An Introduction. Oxford 1995
  • "The Genesis of the Production Code." In: Quarterly Review of Film & Video 15:4 (1995), S.5-32
  • "»A brief romantic interlude«: Dick and Jane go to 3½ seconds of the Classical Hollywood Cinema." In: Post-Theory, hg.v. D.Bordwell u. N.Carroll, Madison 1996 , S.434-459 (zu Casablanca)
  • "»Nobody knows everything«: Post-Classical Historiographies and Consolidated Entertainment." In: S.Neale / M.Smith (Eds.): Contemporary Hollywood Cinema, New York: Routledge, 1998, pp.21-44
  • "`D´ for disgusting: American culture and English criticism." In: Hollywood and Europe, hg.v. G.Nowell-Smith u. S.Ricci, London 1998, S.104-115
  • mit Andrew Higson: `Film Europe´ and `Film America´. Cinema, Commerce and Cultural Exchange, 1920-1939. Exeter 1999
  • mit Melvyn Stokes (Hg.): American Movie Audiences. From the Turn of the Century to the Early Sound Era. London 1999
  • mit Melvyn Stokes (Hg.): Identifying Hollywood´s Audiences. Cultural Identity and the Movies. London 1999
  • mit Melvyn Stokes (Hg.): Hollywood Spectatorship. Changing Perceptions of Cinema Audiences. London 2001
  • "The Spectacle of Criminality." In: Violence and American Cinema, hg.v. J.D.Slocum, New York 2001, S.117-152
  • Hollywood Cinema. London 20032
  • mit Melvyn Stokes (Hg.): Hollywood Abroad. Audiences and Cultural Exchange. London 2004
©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  30.5.2007