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Texte von Annette Kuhn

  • "The Camera I – Observations on Documentary." In: Screen 19:2 (1978), pp.71-84
  • "The Big Sleep. A Disturbance in the Sphere of Sexuality." In: Wide Angle 4:3 (1980), pp.4-11
  • Women´s Pictures. Feminism and Cinema. London 1982
  • "Women´s Genres." In: Screen 25:1 (1984), pp.18-29
  • "Public versus Private: the Case of Indecency and Obscenity." In: Leisure Studies No.3 (1984)
  • The Power of the Image. Essays on Representation and Sexuality. London & New York 1985
  • "The `Married Love´ Affair." In: Screen 27:2 (1986), pp.5-21
  • "Encounter between Two Cultures – Discussion with Ulrike Ottinger." In: Screen 28:4 (1987), pp.74-79
  • Cinema, Censorship and Sexuality, 1909-1925. London 1988
  • "The Body and Cinema: Some Problems for Feminism." In: Wide Angle 11:4 (1989), pp.52-60
  • (Ed.): The Women´s Companion to International Film. London 1990
  • "Mandy and possibility." In: Screen 33:3 (1992), pp.233-243
  • with Susannah Radstone (Eds.): The Women´s Companion to International Film. Berkeley 1994
  • (Ed.): Queen of the `B´s. Ida Lupino behind the camera. Trowbridge 1995
  • "Cinema Culture and Femininity in the 1930s." In: C.Gledhill (Ed.): Nationalising Femininity, Manchester 1996, pp.177-192
  • with Jackie Stacey (Eds.): Screen Histories. A Screen Reader. Oxford 1998
  • (Ed.): Alien Zone II. The Spaces of Science Fiction Cinema. London & New York 1999
  • "Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey." In: Historical Journal of Film, Radio and Television 19:4 (1999), pp.531-543
  • "Crash and film censorship in the UK." In: Screen 40:4 (1999), pp.446-450
  • "»That day did last me all my life«: Cinema memory and enduring fandom." In: M.Stokes / R.Maltby (Eds.): Identifying Hollywood´s Audiences, London: bfi, 1999, pp.135-146
  • "Women´s Genres." In: E.A.Kaplan (Ed.): Feminism and Film, Oxford 2000, pp.437-449
  • An Everyday Magic. Cinema and Cultural Memory. London 2002 (US-Titel: Dreaming of Fred and Ginger ...)
  • "Children, `Horrific´ Films, and Censorship in 1930s Britain." In: Historical Journal of Film, Radio and Television 22:2 (2002); pp.197-202 (Research Note)
  • "Heterotopia, heterochronia: place and time in cinema memory." In: Screen 45:2 (2004), pp.106-114
  • "Spatial Practices. Some Thoughts on Cinema, Memory and Its Future." In: Cinema & Cie No.5 (2004), pp.18-23
  • "The State of Films and Media Feminism.“ Signs 30:1 (2004), pp.1221-28
  • "Thresholds: film as film and the aesthetic experience." In: Screen 46:4 (2005), pp.401-414
  • with Catherine Grant (Eds.): Screening World Cinema. The Screen Reader. London & New York: Routledge, 2006
  • with Kirsten McAllister (Eds.): Locating Memory. Photographic Acts. Oxford: Berghahn. 2007
©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  7.2.2007