|
- "The Camera I – Observations on Documentary."
In: Screen 19:2 (1978), pp.71-84
- "The Big Sleep. A Disturbance in the Sphere of
Sexuality." In: Wide Angle 4:3 (1980), pp.4-11
- Women´s Pictures. Feminism and Cinema. London 1982
- "Women´s Genres." In: Screen 25:1 (1984), pp.18-29
- "Public versus Private: the Case of Indecency and Obscenity."
In: Leisure Studies No.3 (1984)
- The Power of the Image. Essays on Representation and Sexuality.
London & New York 1985
- "The `Married Love´ Affair." In: Screen 27:2
(1986), pp.5-21
- "Encounter between Two Cultures – Discussion with
Ulrike Ottinger." In: Screen 28:4 (1987), pp.74-79
- Cinema, Censorship and Sexuality, 1909-1925. London 1988
- "The Body and Cinema: Some Problems for Feminism."
In: Wide Angle 11:4 (1989), pp.52-60
- (Ed.): The Women´s Companion to International Film. London
1990
- "Mandy and possibility." In: Screen 33:3
(1992), pp.233-243
- with Susannah Radstone (Eds.): The Women´s Companion to
International Film. Berkeley 1994
- (Ed.): Queen of the `B´s. Ida Lupino behind the camera.
Trowbridge 1995
- "Cinema Culture and Femininity in the 1930s." In:
C.Gledhill (Ed.): Nationalising Femininity, Manchester 1996, pp.177-192
- with Jackie Stacey (Eds.): Screen Histories. A Screen Reader.
Oxford 1998
- (Ed.): Alien Zone II. The Spaces of Science Fiction Cinema.
London & New York 1999
- "Cinema-going in Britain in the 1930s: Report of a Questionnaire
Survey." In: Historical Journal of Film, Radio and Television
19:4 (1999), pp.531-543
- "Crash and film censorship in the UK." In:
Screen 40:4 (1999), pp.446-450
- "»That day did last me all my life«: Cinema
memory and enduring fandom." In: M.Stokes / R.Maltby (Eds.):
Identifying Hollywood´s Audiences, London: bfi, 1999, pp.135-146
- "Women´s Genres." In: E.A.Kaplan
(Ed.): Feminism and Film, Oxford 2000, pp.437-449
- An Everyday Magic. Cinema and Cultural Memory. London 2002 (US-Titel:
Dreaming of Fred and Ginger ...)
- "Children, `Horrific´ Films, and Censorship in 1930s
Britain." In: Historical Journal of Film, Radio and Television
22:2 (2002); pp.197-202 (Research Note)
- "Heterotopia, heterochronia: place and time in cinema memory."
In: Screen 45:2 (2004), pp.106-114
- "Spatial Practices. Some Thoughts on Cinema, Memory and
Its Future." In: Cinema & Cie No.5 (2004), pp.18-23
- "The State of Films and Media Feminism.“ Signs 30:1
(2004), pp.1221-28
- "Thresholds: film as film and the aesthetic experience."
In: Screen 46:4 (2005), pp.401-414
- with Catherine Grant (Eds.): Screening World Cinema. The Screen
Reader. London & New York: Routledge, 2006
- with Kirsten McAllister (Eds.): Locating Memory. Photographic
Acts. Oxford: Berghahn. 2007
|