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Texte von Douglas Gomery

  • "Writing the History of the American Film Industry - Warner Bros. and Sound." In: Screen 17:1 (1976), pp.40-53
  • "Problems in Film History. How Fox Innovated Sound." In: Quarterly Review of Film Studies 1:3 (1976), pp.315-330
  • "Tri-Ergon, Tobis-Klangfilm, and the Coming of Sound." In: Cinema Journal 16:1 (1976), pp.51-61
  • "Mise-en-Scène in John Ford´s My Darling Clementine." In: Wide Angle 2:4 (1978), pp.14-19
  • "The Picture Palace: Economic Sense or Hollywood Nonsense?" In: Quarterly Review of Film Studies 3:1 (1978), pp.23-36
  • "The Growth of Movie Monopolies: The Case of Balaban & Katz." In: Wide Angle 3:1 (1979), pp.54-63
  • "The Movies Become Big Business. Public Theatres and the Chain Store Strategy." In: Cinema Journal 18:2 (1979), pp.26-40
  • "Hollywood, the National Recovery Administration and the Question of Monopoly Power." In: Journal of the University Film Association 31:2 (1979), pp.47-52
  • with J.Staiger: "The History of World Cinema: Models for Economic Analysis." In: Film Reader 4 (1979)
  • "Towards an Economic History of the Cinema. The Coming of Sound to Hollywood." In: S.Heath / T.d.Lauretis (Eds.): The Cinematic Apparatus, London 1979, pp.38-46
  • "Rethinking U.S. Film History: The Depression Decade and Monopoly Control." In: Film & History 10:2 (1980), pp.32-38
  • "Economic Struggle and Hollywood Imperialism: Europe Converts to Sound." In: Yale French Studies No.60 (1980), pp.80-93
  • "The Economics of U.S.Film Exhibition and Practice." In: Ciné Tracts 12 (Winter 1981), pp.38-46
  • "The Movies Become Big Business: Publix Theatres and the Chain-Store Strategy." In: G.Kindem (Ed.): The American Movie Industry, Carbondale 1982, pp.104-116
  • "`The Warner-Vitaphone Peril´: The American Film Industry Reacts to the Innovation of Sound." ibid. pp.119-135
  • "Movie Audiences, Urban Geography, and the History of the American Film." In: The Velvet Light Trap No.19 (1982), pp.23-29
  • "The American Film Industry of the 1970s. Stasis in the `New Hollywood´." In: Wide Angle 5:4 (1983), pp.52-59
  • "Film Culture and Industry: Recent Formulations in Economic History." In: Iris 2:2 (1984), pp.17-29
  • "Economic Change in the US Television Industry." In: Screen 25:2 (1984), pp.62-67
  • "Corporate Ownership and Control in the Contemporary US Film Industry. A Report." In: Screen 25:4-5 (1984), pp.60-70
  • "Failed Opportunities: The Integration of the U.S. Motion Picture and Televison Industries." In: Quarterly Review of Film Studies 9:3 (1984), pp.219-228
  • "Film and Business History: The Development of an American Mass Entertainment Industry." In: Journal of Contemporary History 19 (1984), pp.89-103
  • "U.S.Film Exhibition: The Formation of a Big Business." In: T.Balio (Ed.): The American Film Industry, Madison 19852, pp.218-228
  • "The Coming of Sound: Technological Change in the American Film Industry." ibid. pp.229-251
  • with R.C.Allen: Film History. Theory and Practice. New York 1985
  • "Economic Struggle and Hollywood Imperialism. Europe Converts to Sound." In: E.Weis / J.Belton (Eds.): Film Sound. Theory and Practice, New York 1985, pp.5-24
  • "Theatre Television: The Missing Link of Technological Change in the U.S. Motion Picture Industry." In: The Velvet Light Trap No.21 (1985), pp.54-61
  • "The Coming of Television and the `Lost´ Motion Picture Audience." In: Journal of Film and Video No.38 (1985)
  • The Hollywood Studio System. New York 1986
  • "Vertical Integration, Horizontal Regulation – The Growth of Rupert Murdoch´s US Media Empire." In: Screen 27:3-4 (1986), pp.78-87
  • "The Reagan Record." In: Screen 30:1-2 (1989), pp.92-99
  • "Thinking about Motion Picture Exhibition." In: The Velvet Light Trap No.25 (1990), pp.3-11
  • Movie History. A Survey. Belmont/CA: Wadsworth, 1991
  • Shared Pleasures. A History of Movie Presentation in the United States. Madison 1992
  • "Disney´s Business History. A Reinterpretation." In: E.Smoodin (Ed.): Disney Discourse, New York 1994
  • "Toward a New Media Economics." In: D.Bordwell / N.Carroll (Eds.): Post Theory: Reconstructing Film Studies, Madison 1996, pp.407-418
  • "The Economics of the Horror Film." In: J.B.Weaver III / R.Tamborini (Eds.): Horror Films, Mahwah/NJ 1996, pp.49-62
  • "Hollywood corporate business practice and periodizing contemporary film history." In: S.Neale / M.Smith (Eds.): Contemporary Hollywood Cinema, London & New York 1998, pp.47-57
  • "Der Wandel im Hollywood-System." In: G.Nowell-Smith (Hg.): Geschichte des Internationalen Films, Stuttgart & Weimar 1998, pp.403-410
  • "Hollywood heute." ibid., pp.432-439
  • with Benjamin M.Compaine: Who Owns the Media. Competition and Concentration in the Mass Media Industry. Mahwah 20003
  • "Finding TV´s Pioneering Audiences." In: Journal of Popular Film & TV 29:3 (2001), pp.121-129
  • "The Hollywood blockbuster: industrial analysis and practice." In: J.Stringer (Ed.). Movie Blockbusters, London 2003, pp.72-83
  • "Rethinking how TV came to the USA." In: J.Fullerton (Ed.): Screen Cultures, Sydney et al. 2004
  • The Hollywood Studio System. A History. London: bfi, 2005
  • The coming of sound - a history. New York: Routledge, 2005
  • "What Was Adolph Zukor Doing in 1927?" In: Film History 17:2-3 (2005), pp.205-216
  • with Luke Hockley (Eds.): Television industries. London: bfi, 2006
©  2000 – 2006  by   Daniel Kälberer  —  Last Update:  8.9.2006